Lifestyle

A new beginning

With the opening of a boutique in the Piccadilly Arcade, Fabergé is starting a new chapter in its historic love affair with London, which dates back to 1906, when the first Fabergé boutique outside Russia opened in Dover Street. Four years later, it relocated to Bond Street. The store was patronised by royalty, nobility and the socialites of the day.  The Brits simply fell in love with the creations of the famed Russian jeweller.

Of the many celebrated names in the global history of high-end jewellery, that of Gustav Faberge, is perhaps one of the most revered. Born in 1814, Gustav trained as a goldsmith under Andreas Spiegel in St. Petersburg in the late 1820s, later joining Keibel – a rapidly growing firm that had begun receiving commissions from the Russian Imperial Court – before opening his own shop (and adding a chic acute accent to the last ‘e’ of his surname) in 1842.

Left: the new Fabergé store in London’s Picadilly Arcade. Right: the first Fabergé store in New Bond Street, 1910.

It was however Gustav’s son, Peter Carl, who, along with his…

Unapologetically me

Damian Hurley was born famous. Even though his mother, Elizabeth Hurley, put her career on hold to look after him, paparazzi would harass them on a daily basis. His teenage years were tainted with the death of important people in his life, the mark of which is palpable in his short film The Boy on […]

The world’s first zero-emissions villa

Located on the hills of Sotogrande, one of the most sought-after destinations in southern Europe among lovers of golf, polo and luxury life in general, Villa Noon is billed as the world’s first zero-emissions villa. Not only that, Villa Noon also generates its own water… from the sun. Viewed as a ground-breaking achievement in sustainable […]

Epicurean Journeys
The pleasure of slow living By Kamin Mohammadi

If you had told me 10 years ago that the holy grail of weight loss and healthy eating was made of pasta, red wine and gelato, I would have given you a quizzical look. But after years of battling with inexplicable weight gain, digestive illnesses and constant tiredness, having tried every diet, wellness fad and health craze going, when I washed up in Florence, this is exactly what I found.

The Tuscan diet, with plenty of fresh local salads and veg, excellent olive oil, unadulterated traditional bread and the odd glass of ruby-red Chianti succeeded where so many other regimens had failed. What’s more, the Italian lifestyle, with its slower pace and emphasis on beauty, transformed my outlook and habits. The glory of Florence burst through my depression and her beauty healed my burnt-out brain.

I moved to Florence quite by accident in 2008. My Florentine adventure started – as these things often do – with a chance meeting and an intriguing suggestion. This was swiftly followed by a quite unexpected redundancy from a high-flying and all-consuming job and some months later, I found myself queuing for a taxi outside Florence’s main train station with the address to a friend’s holiday apartment in my hand. For the first time in my adult life, I was without a fixed income or a home of my own, there on a one-way ticket. I felt like a piece of flotsam washed up in the Renaissance gutters.

Ten years later, I am still in Florence, married to the man I met at the end of my first year there. Quite by accident, the combination of the golden Tuscan light, the beauty of the Renaissance town, the voluble character of the people and, perhaps most of all, the colours and noises of the fruit and vegetable market healed me. My stress drained away, my depression was slowly burnt off by the beauty and the daily practices that I learnt from my neighbours – of walking slowly, of looking up to notice the beauty, of taking time to savour a coffee – and joy in the simple rituals and street-corner chats, transformed not just my body and my spirit, but also the shape of my heart.

Photo source: pixabay.com.

What I learnt about living, eating and loving in Florence I call the Bella Figura method – a nod to the Italian philosophy of making everything as beautiful as it can be, just for its own sake. A sort of Mediterranean mind- fulness, it governs everything from how you walk down the street (with your head held high, not buried in a smartphone), to how you dress (with style rather than fashion), to how to manage your love life (with passion). It encompasses how to shop, and what to eat, as well as showing how you can stay as slim as Italian women (statistically one of the slimmest in Europe) while still enjoying a glass of red wine and scoop of gelato. Knowing and living by the Bella Figura method, it comes as no surprise to me that the Bloomberg Global Health Index recently put Italy at the top of its list of the world’s healthiest countries.

In my first weeks in Florence, the visits to my local fruit and veg market were the real revelation. There, I discovered a symphony of colour, noise and chaos which, after the monochrome tones of my life in London, felt like landing in a Technicolor movie set.

In the middle of the crush of the market, I drank in the colours, the smells, the loud chatter as stallholders bantered in sing-song Italian. The produce was local and I was instantly converted to the sensual pleasure in the feel, look and smell of a leaf of lettuce so newly out of the ground that it was still speckled with earth, or the beauty of a fat fennel with its aniseed scent. It had been years since I had felt that earthy connection with food, so busy had I been rushing about my life in London.

The first time I brought home a Florentine tomato from the market and sunshine exploded in my mouth, I fell giddily back in love with the simple pleasure of eating sun-filled, delicious produce. From the stallholders at the market I gathered simple recipes and suggestions for how to serve the produce; and the little rituals of preparing and cooking food for myself, Italian-style with lots of courses, fresh vegetables and olive oil, peppered my days, making eating a pleasure.

Kanin by Bernardo Conti.

As the effects of fresh whole produce and long walks around town to drink in Florence’s beauties started to pay off and the stubborn weight fell off, my mood changed and confidence increased. Dates with delightful and dastardly Italian men took me around the cave-like traditional eateries of Florence and the country trattorias of Chianti. There I learnt the benefits of the Italian style of eating: many courses of small helpings of the freshest local ingredients which made eating a slow pleasure. It also gave the hormones responsible for regulating the appetite time to register when full, making overeating unlikely.

The combination of excellent produce, respect for culinary tradition and plenty of excellent olive oil made simple meals an epicurean delight. I studied the real Italian diet and was surprised by what I found out. I discovered that extra-virgin olive oil fights dangerous stomach fat and reduces risk of cardiovascular disease, diabetes and insulin sensitivity. I took it several times a day almost as medicine and noticed how my eyes shone, hair became glossy and my irritable digestion was soothed. My skin was plumper. As a dedicated lover of coffee, I was gratified to learn that real coffee made from good beans (without the frills and syrups) has more antioxidants than green tea, and the simple combination of pasta with home-made tomato sauce gives the exact right combination of good fats (from olive oil) and lycopene (from cooked/tinned tomatoes) to make it a superfood! Add adusting of Parmesan – the cheese with the highest calcium content, with hardly any lactose and full of linoleic acid which amps the metabolism – and you really need to invent a whole new category – uberfood? – to measure this simple dish’s goodness.

So here are a few tips on how to make the Bella Figura work for you, right where you are.

Do like Sophia Loren and drink excellent quality extra-virgin olive oil
Loren uses nothing else to cook with but also on her skin and on her hair; she even puts it in the bath. Scientists found that in just four weeks of replacing other fats with extra-virgin olive oil, both visceral and deep belly fat was reduced.

What and how to eat
Natural and wholefoods are key. Bella Figura is more about what we put into our bodies than what we don’t. We detox our cupboards instead of ourselves. The Italians take pleasure in their food and this is what we should aim for. Eating mindlessly in front of the computer or television gives not only less pleasure, but makes it much easier to overeat.

How to drink
A small glass of wine with dinner is the guide. A report suggests that women with six-figure salaries drink up to two-thirds more than the healthy limit. Remember that drinking to excess will pile on weight and stress out your skin as well as all the internal damage it is doing. In Tuscany, wine is thought of as a food and so only taken with a meal.

Festina Lente: in haste, slowness
There’s practically nothing that can’t be improved by slowing down – even climbing the stairs deliberately instead of running has been proven to lose you an extra pound a month. Consciously, at least once a week, contemplate beauty – be it a painting, an urban corner you love, a wide blue sky or the most exquisite shoes. Do this quietly and without any purpose other than your pleasure. When I first arrived in Florence and my unhappiness was palpable, I was advised to ‘let the beauty heal you’. I think it did. And if you follow the simple tips of Bella Figura, it will do the same for you.

Bella Figura, How to Live, Love and Eat the Italian Way is published
by Bloomsbury. From £9.99

 

Kamin Mohammadi
Kamin Mohammadi is an author, journalist, broadcaster and public speaker. Born in Iran, she and her family moved to the UK during the 1979 Iranian Revolution. As a journalist she has written for the British and international press including The Times, the Financial Times, Harpers Bazaar, Marie Claire, Mail on Sunday, Condé Nast Traveller (UK and Italy), Psychologies, Donna Moderna (Italy), Grazia (Italy), Men’s Health, The Sunday Times (UK), The Sunday Times of India, The Mail on Sunday, Virginia Quarterly Review and the Guardian as well as co-authoring The Lonely Planet Guide to Iran and numerous other travel guide books. Her journalism has been nominated for an Amnesty Human Rights in Journalism award in the UK, and for a National Magazine Award by the American Society of Magazine Editors in the US.
Kamin has authored two books. BELLA FIGURA: HOW TO LIVE, LOVE AND EAT THE ITALIAN WAY and THE CYPRESS TREE: A LOVE LETTER TO IRAN. She has spoken on Iranian issues at universities, conferences and peace events, including at New York University in Manhattan, a briefing to NGOs, lobbyists and senators on Capitol Hill. She has participated in the Jaipur Literature Festival 2012, the Bath Literary Festival and the Oxford Literature Festival several times, as well as Asia House London’s Festival of Asian Literature three times. An avid commentator, she has appeared on many radio programmes in the Uk and abroad, taken part in the BBC television documentary Iranian Enough? and helped to write and co-present the BBC World Service’s three-part radio documentary Children of The Revolution.
www.kamin.co.uk

Co-President CHOPARD

The Scheufele family took over Chopard in 1963, and transformed it into one of the best-known jewellery and luxury watch brands in the world. Caroline joined the family business straight after finishing her studies. She brought change and innovation, reflected in her 1985 collection ‘Happy Diamonds’, a jewellery line based on the idea of enabling diamonds to shine more brightly by freeing them from their retaining settings and enabling them to move about freely.

Constantly on the move and never afraid of challenges, Caroline’s efforts in the last years have been focused on making Chopard the most sustainable jewellery brand in the world … and convince the whole industry to follow suit.

I-M: I understand that Chopard is the first jewellery company to work with Fairmined. What made you look into the sustainability of your supply chain?

C.S: We felt that this was a major issue that needed to be addressed in the industry and taken care of. It is important that the luxury industry recognises its duty as leaders to set an example across the board.

© Gold in pan.

I.M: How did conversations begin between all parties: Chopard, Eco-Age and the Alliance for Responsible Mining (ARM)? Was this the beginning of the journey to Sustainable luxury?

C.S: 7 years ago, I met with Livia Firth, Founder of Eco-Age, during an event for the Oscars. She made me realize that there was no real traceability of the gold used in the industry.

The Journey to Sustainable Luxury thus began. Along with Eco-Age we forged a philanthropic relationship with ARM to directly support and enable gold mining communities to reach Fairmined certification and provide training, social welfare and environmental support. In May 2013, during the Cannes Film Festival, we unveiled our very first Green Carpet Collection.

I.M: I believe that Chopard also helps mining communities to reach Fairmined certification as well as providing training, social welfare and environmental support. How involved are you personally in this process?

C.S: All of our Chopard employees have dedicated themselves to this fantastic project. We are all committed to supporting the mining communities and have joined forces with the ARM to ensure that we can support them in the best way possible.

I.M: Are now all the materials used for your jewellery and watches in Chopard Fairmined certified?

C.S: With the help of Eco-Age we are constantly searching for new ethical suppliers; so we started with gold, then we found sustainably sourced opals and emeralds last year. We are carefully expanding the list of sustainable materials we can use, but as I always say, it is a long journey but it is the right one.

I.M: How long down the production line do you think you can take your sustainability strategy and goals?

Mine interior ® Gaelle Tavernier.

C.S: This year during the Baselworld fair we made an incredibly exciting announcement, that all of our creations from July 2018 will be crafted from ethically sourced gold. This is a huge step not only for Chopard but for the watches & jewellery industry as a whole and we are glad to be leading the way!

We are very humble in our journey to sustainable luxury. We are improving our supply chain and production as much as possible. We are encouraging the Responsible Jewellery Council to create a certification for coloured precious stones, which is the next big step for the industry. Our next aim is to implement the UN global goals in the complete production process from raw material sourcing to the production of our watches and jewellery.

I.M: Could you give me examples of how Chopard helps mining communities in terms of training, social welfare and environmental support?

C.S: I will give you the examples of the first communities we helped. The project has worked towards improving practices in Artisanal and Small-Scale Mining Organizations (ASMOs) in Colombia and Bolivia. The project has had three primary beneficiary mining organizations, two of which have received support since the initial phase of the project which are the mining organizations 15 de Agosto (Bolivia) and COODMILLA LTDA (Colombia); and a third organization, the Iquira Agro-Mining Cooperative (Colombia), joined the project in the second half of 2015. We implement- ed of an internal and external system to improve the efficiency of mining as well as a waste and sludge treatment system. We helped to improve the environmental management (creation of a committee, implementation of waste disposal areas). On average, a 30% reduction of mercury use was achieved. We launched measures to improve occupational health and safety conditions (for example: installation of a safety kit in the mines, affiliation of miners with social security level 5, training workshops). With the help of Chopard, an internal control system at each stage was created and implemented: extraction, processing and marketing. Twelve women from the “Association of Female Jewellers” were given full study training in marketing and entrepreneurship to help them to grow their business.

The making of the Green Carpet Collection.

I.M: How does the Green Carpet Challenge actually work?

C.S: The Green Carpet Challenge principles are a benchmark against which brands can measure themselves, showing a commitment to ethical social and environmental behaviour in the workplace and through supply chains. At Chopard, the Green Carpet Challenge is expressed through the Journey to Sustainable Luxury and the Green Carpet Collection.

We started the Journey to Sustainable Luxury in 2013 with a capsule collection of high jewellery. Then we continued to expand the collection with limited edition watches such as the L.U.C Tourbillon QF Fairmined watch, and in 2017 with the Ice Cube jewellery collection made of Fairmined gold.

Chopped Eco-age pre Oscars dinner with Kevin Bacon, Colin Firth, Emma Stone and Patricia Clarkson (2017).

I.M: At the Oscars you co-hosted with Colin and Livia Firth a dinner celebrating The Green Carpet Challenge and The Journey to Sustainable Luxury. Many A-list celebrities, among them Mick Jagger, Meryl Streep, Emma Stone, Kevin Bacon and Tom Ford attended. How important is the support of celebrities? How does the Green Carpet Challenge actually work?

C.S: We are hugely grateful to have a strong support from high profile voices across different industries who understand and support the importance of this major step in the Industry. For instance, celebrities such as Julianne Moore, Cate Blanchett or Marion Cotillard have been very sensitive to the topic and have been more than delighted to wear our Green Carpet Collection.

I.M: How vital has it been the fact that Chopard is a family owned company for all this to happen?

C.S: This has allowed us to take total control of the project from the beginning, and to make decisions as quickly as possible. It has also meant that we have had a shared passion and determination to continue growing this project to reach its maximum potential.

I.M: Undoubtedly you have had advantages in your career that other women have not had. At the same time, you could have chosen to just be a diamond princess but you didn’t. Your talent, hard work and determination have brought you where you are. What would you say to women that aspire to reach the highest in their careers?

C.S: Always trust your vision and don’t be afraid to speak up and think outside the box. Lead with courage and passion!

Marion Cotillard wearing the first pieces from the Journey to Sustainability collection at he Cannes festival 2013.

I.M: Although the number of women in high management positions in companies is growing, it is still far behind that of men. Do you think that there is still prejudice against women in the boardroom?

C.S: I think that we can always strive for better, regardless of whether there has already been improvement or not!

I.M: Do you think there are jobs for which women are naturally more talented than men?

C.S: I think that men and women are very different, they approach things in completely different ways, they are often more creative and passionate and I think there is beauty in that.

I.M: Is there a programme or strategy at Chopard to promote diversity and inclusion?

C.S: Chopard advocates the respect of the values stipulated in the Universal Declaration of Human Rights, such as the fundamental human rights, in the dignity and worth of the human person and in the equal rights of men and women. Chopard endorses diversity of its work force and nourishes a company culture where any employee can freely develop to her/his best potential. The company promotes the principle of equal opportunities to all its employees and offers a discrimination and harassment-free working environment. All employees are thus entitled to fair and equal treatment, regardless of gender, race, age, disability, nationality, sexual orientation, marital status or any religious or cultural background.

Recruitment decisions are only-based on professional criteria defined by the company needs and the candidate’s qualifications and skills to carry out the mission with success.

Chopard co-president Caroline Scheufele.

I.M: Last, where would you like to see yourself and Chopard in 5 years time?

C.S: We will continue taking bold and exciting new steps to make sure the industry recognises the importance of sustainability in the world we live in today!

Dreams of love, peace and games

London based British designer Alexandra Llewellyn fell in love with backgammon as a child in Cairo. The rattle of dice on large wooden crate-boards signalled the game in play, as she strolled through the streets with her Egyptian step-grandfather. As she travelled more, her interest in backgammon evolved and she became enthralled by the idea that board games can bring all sorts of people together, since they require neither common language nor culture.

After years of studying and training, finally she opened her Design Studio in 2010, in which she creates backgammon boards and custom-made games tables and games, all made in the UK and all of which can be personalised or bespoke commissioned. Alexandra’s designs are owned by clients such as Sir Richard Branson, Elle Macpherson, Jacquetta Wheeler, Mark Ronson, Paloma Faith… and even Royalty!

I-M: Alexandra, please tell us about your journey, which have been
the experiences and influences that have shape you as an artist?

A.Ll: I have made things all my life and have been lucky to have grown up with an appreciation
of beautiful things – my mother is a clothes designer and my father a garden designer. Both have amazing taste and we were always encouraged to look and to appreciate. In the same vein, we are a close family and games featured a lot when we were growing up. Backgammon was one of many games we played.

My grandmother was an artist with sketch books full of studies of mouths, noses and eyes, which fascinated us as children. Her pencil sketches are what first attracted me about making something from nothing, creating drawings from lines on a white page.

I-M: Were you one of those kids always building things?
Any cornerstone moments growing up?

A.Ll: As a child I collected a treasure trove of lost and found objects to make things with. My mother referred to it as my junk pile but to me it was better than any toy. I loved creating models with what others considered to be rubbish. Similarly, I loved to draw with charcoal I made in the fire, or make portraits out of my mother’s lip liner.

At school, I lived in the art department, but also loved science. An amazing moment for me was when Terence Conran wanted to buy one of my paintings from my A-level show. Straight after school I went to art school where my practice became more conceptual, but the work was always about the act of making and also the viewer’s interaction with art.

I-M: When did you start making game boards?

A.Ll: I started making backgammon boards, amongst many other things, when I left university. The first was a present for a friend’s family for taking me on holiday. I then moved to Spain where I worked with a centre for adults with learning disabilities. I employed them to make the boxes, and I hand-painted the interiors. Each one was different and I took them all to London for a two-night sale – I sold nearly 30 in one go. The seed was sown. I moved back to the UK to work in product development with a London company, and it is there that I met many of the craftsmen and women and workshops I work with today. We did everything: table top, silver, fine jewellery, rugs and leather. It was a baptism of fire, and my plan to start my own design business began to take shape – working with master craftsmen and beautiful materials to create games that brought people together. The games also became vehicles with which I could use different techniques, designs and materials. I now use a lot of marquetry and printed and inlaid leather. I also hand paint and print pieces, use metals, and semiprecious stones and glass.

I-M: Why such a focus on backgammon?

A.Ll: My step-grandfather was Egyptian so as a child we visited Cairo often. I will always remember the thrill of playing with men 10 times my age with whom I shared no language, no culture and no references, but we still communicated through a game of backgammon, and there was a lot of laughter. That absolutely still feeds what I do. I love creating beautiful objects that are also games; they draw people in to play and talk and to be with each other. They are conversation pieces. My other great passion is cooking – for exactly the same reason, to bring people together, and to create a unifying shared experience.

We sometimes joke in the studio about creating world peace through backgammon – pitching two warring countries and sitting them down to get to know each other over a game of backgammon. Referring to games Plato said, “You can discover more about a person in an hour of play than in
a year of conversation”. In the same way games allow people to communicate, and in these crazy times we live in, they create time -the greatest luxury of my generation.

When I began to make my backgammon boards I never dreamt of where they would take me. I really love to travel and find much inspiration in meeting people from all over the world. My work has taken me to places like Afghanistan, where we worked with incredible craftsmen and women developing a design for the charity Turquoise Mountain.

Recently, Jumby Bay Island flew me to their Caribbean paradise to find inspiration to design for them games tables and backgammon boards. Once I got there, I realised why they did; it was such a special place that I would have never otherwise understood. Oh! And I learnt about the incredible African game Wari. More recently I was in Las Vegas launching my new Poker set…I am still digesting my time there.

Round Backgammon by Alexandra Llewellyn

I-M: Is your mindset very different when you are creating one
of your collections from when you are working on a bespoke project?

A.Ll: My love of my work has turned into more than just making games, and through my bespoke commissions I have learnt that I love creating truly unique pieces and more specifically, gifts that are imbued with thoughtfulness and love, and tell a story. The kick for me is not just the process of making and designing, it is also the thought of my clients giving my designs as presents once they are made. Imagine receiving something that your friend or loved one has put so much thought, time and care into.

I have 12 signature designs that I repeat and sell through our website and in Harrods and The Conran Shop. We sell backgammon boards all over the world but my biggest market is America. Over half of the work I do is now bespoke. One of the most amazing commissions I have done was for a 50th wedding anniversary – I was sent 50 years worth of love letters to interpret into a backgammon board. We inlaid marquetry postage stamps from where the letters had been sent to, rendered lines of the letters in marquetry on the board, and created a secret playing piece that unscrewed revealing a lipstick kiss from one of the letters.

I still get goose-bumps thinking about it. Many of the boards I do contain visual biographies of the client’s life. It is such an honour to be able to delve into so many parts of the world and so many different experiences with every design. Another amazing commission was to commemorate the client discovering of a mutation in a protein that caused terminal illness in children, for which his wife had amazingly found a cure! They were an extraordinary couple.

Limited Edition Skull Poker Box.

I-M: What have been your most recent projects?

A.Ll: I recently launched a backgammon board with never before seen photographs of Marilyn Monroe – I was approached by the photographer’s estate, which is a huge honour. A few months ago, I made my first poker box – which I created as a limited edition, and of which we are already making bespoke versions. It’s another great game that brings family and friends together but with the added dimension of bluffing and deception.

I’m really proud of my circular backgammon and chess table. I had a Eureka moment when I realised that actually backgammon is a circular game, but for thousands of years it has been played on a square board. It takes just a couple of games to get your head around it, and then it is far more logical than playing the traditional square version.

I-M: Where is Alexandra Llewellyn going next?

A.Ll: Re-launching our website is taking a lot of effort and time, but we really want to tell our story properly, so this is a priority. At the same time, I want to continue telling people’s stories through games and furniture unique to the client. Actually, I am working on a new series of leather travel games and I am starting to make other pieces of furniture such as architectural inspired tables, and pieces that involve highly detailed marquetry with more contemporary imagery. In the same vein I would like to start making treasure boxes that tell the story of the contents – whether it be a beautiful artefact, or simply a paint pigment. The box tells the story of its contents, but it all is also an experience to open and explore.

 

October 9th 2018, London

2018 celebrates the 100th anniversary of women earning the vote in Britain. We have a female PM in Britain and a female First Minister in Scotland. Female athletes are bringing to the UK more medals than ever; more and more women are climbing through the ranks of the corporate world and more female artists are being recognised. It is an amazing time to be a woman.

At I-M, we want to recognise the success and worth of women in Britain, and thus we are proud to launch the 1st edition of the I-M Formidable Women Awards, which will take place in London on October 9th.

 

The 8 categories aim at reflecting the fields in which women are
reaching the highest achievements. 
These categories are:

 

Entrepreneurial Award
Inclusion and Diversity Award
Young Talent Award
Artist of the Year Award
Inspiring personality Award
Conservation and Sustainability Award
Philanthropy Award
Life Achievement Award

 

 

Our Finalists

ENTREPRENEURIAL AWARD

Nadja Swarovski: Aged just 25, Nadja joined the 100 year old family business and changed it forever. In the last 22 years she has brought Swarovski to the very top of fashion and contemporary design, launching many an illustrious career in the process, like that of Alexander McQueen or Hussein Chalayan.

Read more about Nadja Swarovski here

 

Karen Adler: After 20 years in the film industry, in 2015 Karen joined the 4th generation of Adlers working in the jewellery family business. Her passion and creativity, have been instrumental in taking the brand to the next level of global success, together with her cousin Allen Adler and his wife Daisy Adler.

Read More about Karen Adler here

 

Maria Hatzistefanis: Maria says that getting fired for her banking job at the age of 25 was the best thing that ever happened to her. A couple of years later she had founded Rodial, a cosmetic business that today is worth £100million, and she did it all without a single penny from investors.

Read More about Maria Hatzuestefanis here

 

 

INCLUSION AND DIVERSITY AWARD

Carolanne Minashi: As Global Head of Diversity & Inclusion at UBS, Carolanne is focused on fixing the system rather than fixing the women. She has been driving a cultural change agenda to have a greater number of Women in Senior Leadership roles. She is a member of the Women’s Leadership Board at the Women and Public Policy unit at Harvard Kennedy School, a Chartered Fellow of the British Chartered Institute for Personnel and Development.

Read More about Carolanne Minashi here

 

Justine Waddell: As Director of Kino Klassika, Justine helps develop shared expertise between archivists and curators in the UK and Russia and Eastern Europe, building relationships with fundraising bodies and sponsors and encouraging people who love cinema, literature, music, and language from the arts and business communities in the UK, Russia and CIS, to share their cultural knowledge at events.

Read More about Justine Waddell here

 

Hager Jemel PhD: Hager is an Associate Professor of Management at EDHEC and Director of EDHEC Open, Leadership Innovation Centre for Diversity & Inclusion. She has been Director of the Pre-Master Year for the EDHEC Master in Management since June 1st 2017. She holds a Doctorate in Management Sciences from Institut d’Ad- ministration des Entreprises de Lille. She has 13 years of experience in Management lecturing and research, and commands strong expertise in the CSR and diversity fields.

Read More about Hager Jemell here

 

YOUNG TALENT AWARD

Eve de Haan: Eve has a degree in Theology and has explored many fields
of creativity. She has been influenced by Tracey Emin, David Shrigley and Martin Creed amongst others. Her collection of neon artwork for her brand ‘Half a Roast Chicken’ reflects her love of the written word. Eve finds neon a perfect medium to accentuate how there are gradients and shades of meaning within a statement. Her work reflects on the imposing nature of technology on youth culture today.

Read More about Eve de Haan Here

 

Kim Vanessa Kortlepel: She is not even 25 and Kim has already
graduated in Law, completed a Masters in International Public Law
and founded her own jewellery brand, KVK73. Her designs are fresh
and colourful, inspired by her family and her experiences from her
childhood days. Kim is a talented designer, driven and determined,
and believes in never giving up.

Read More about Kim Vanessa Kortlepel Here

 

Hazel Hurley: Her photography is enigmatic and provocative. It makes you smile and it makes you think, and in occasions, it makes you cringe. At just 22 years of age, Hazel has already participated in a variety of exhibitions including shows at Henley Festival, Café Royal and Freud Bar… Hazel Hurley is an artist who knows who she is and perfectly reflects in her art the young culture of the times we live in.

Read More about Hazel Hurley Here

 

ARTIST OF THE YEAR AWARD

Beth Cullen-Kerridge: Beth is a celebrated sculptor who has firmly established her singular vision upon the contemporary art scene. She honed her craft producing works for Edwardo Paolozzi, Elisabeth Frink and Alberto Giacometti, before becoming a studio assistant for Mike Bolus and Sir Antony Caro. She has worked on projects with Sir Norman Foster on the Millennium Bridge, Richard Rodgers at The Tate, and a number of shows at the Venice Biennale. Her recent 16-foot-high Carrera ‘Dhow Sail’ marble sculpture installation for Dubai Opera received worldwide critical acclaim and in November 2017 Beth was awarded the ‘Global art prize for sculpture’.

Read More about Beth Cullen-Kerridge Here

 

Alexandra Llewellyn: After years of studying and training, Alexandra opened her Design Studio in 2010, in which she creates custom-made games tables and boards, all made in the UK and all of which can be personalised or bespoke commissioned. Alexandra’s designs are owned by clients such as Sir Richard Branson, Elle Macpherson, Mark Ronson, Paloma Faith… and even Royalty! She fell in love with backgammon as a child in Cairo… as she strolled through the streets with her step-grandfather.

Read More about Alexandra Llewellyn Here

 

Day-z: Enigmatic urban artist Day-z combines techniques learned from the Masters with current culture to create a signature style that fuses street and fine art. Some of Day-z’s more mischievous antics include sticking up pieces on the Tate Modern and taking on parking wardens with her celebrated ‘parking ticket’ sticker. Day-Z had a hugely successful first solo show in 2017 selling the vast majority of all of her original works and prints.

Read More about Day-z Here

 

INSPIRING PERSONALITY AWARD

Dame Jessica Ennis-Hill: In her 20 years career as an athlete, Jessica
became one of the UK’s most successful track and field sports personalities in
our history. Now retired and mum of two, Jessica continues inspiring girls up
and down the country with her work as Ambassador of the Sheffield Children’s Hospital, the Weston Park Hospital, Comic and Sport Relief and Fashion
Targets Breast Cancer.

Read More about Dame Jessica Ennis-Hill Here

 

Kamin Mohammadi: Kamin Mohammadi is an author, journalist, broadcaster and public speaker. Born in Iran, she and her family moved to the UK during the 1979 Iranian Revolution. Her journalism has been nominated for an Amnesty Human Rights in Journalism award in the UK, and for a National Magazine Award by the American Society of Magazine Editors in the US. She has authored two books and has spoken on Iranian issues at universities, conferences and peace events. An avid commentator, she has appeared on many radio programmes in the Uk and abroad, taken part in the BBC television documentary Iranian Enough? and helped to write and co-present the BBC World Service’s three-part radio documentary Children of The Revolution.

Read More about Kamin Mohammadi Here

 

Sophie Christiansen: Born with cerebral palsy, at 6 years of age Sophie
started to ride for rehabilitation reasons. By 2016, She had 4 successful Paralympics under her belt and had become Britain’s first triple gold
medallist at the Paralympic Games. She has received an MBE and OBE
and in 2015 won a Women of the Future Award for her ‘ferocious
determination to succeed’.

Read More about Sophie Christiansen Here

 

CONSERVATION & SUSTAINABILITY AWARD

Inger Andersen: As Director General IUCN, Inger brings passion for conservation and sustainability with more than 30 years of experience in international development economics, environmental sustainability and policy-making, as well as in designing and implementing projects and generating on-the-ground impact. She has played a key role in supporting riparian countries on international water management and hydro-diplomacy. Prior to joining IUCN, she held various leadership roles at the World Bank and at United Nations.

Read More about Inger Andersen Here

 

Dr Vreni Häussermann: As as a marine zoologist, Vreni has spent the last 20 years of her life studying the biodiversity of the Chilean Patagonia aiming at its sustainable use and conservation. Since 2003, she is the Scientific Director of the Huinay Scientific Field Station in Patagonia. Part of Dr. Häussermann’s vast amount of work is to advise both NGOs and the Chilean government on matters
of conservation and marine resource management.

Read More about Dr Vreni Häussermann Here

 

Caroline Scheufele: Caroline joined the family business, Chopard, straight after finishing her studies. She brought change and innovation, which in the last years culminated in making Chopard the most sustainable jewellery brand in the world, working with the Alliance for Responsible Mining (ARM), using only Fairmined certified ethically sourced gold as well as sustainably sourced opals and emeralds. She founded the Green Carpet Challenge as a benchmark against which brands can measure themselves, showing a commitment to ethical social and environmental behaviour in the workplace and through supply chains.

Read More about Caroline Scheufele Here

 

PHILANTHROPY AWARD

Olga Murray: Olga founded the Nepal Youth Foundation in 1990 to help impoverished children in Nepal and free young girls from slavery.
Over the decades, she has helped hundreds of thousands of children
and raised millions for new schools, nutritional centres and feeding clinics.
Her work is globally recognised; even Ophra Winfrey made a
tv show about her!

Read More about Olga Murray Here

 

Suzanne Ruggles: Suzanne founded Full Circle Fund Therapies with the
goal to preserve the human spirit by providing a compassionate, professional
and supportive care for people living with a life-threatening condition and its medical treatment. Since its inception in 2000, they have helped over 7,000 people, most of whom are battling cancer and genetic conditions such as Sickle Cell Disease.

Read More about Suzanne Ruggles Here

 

Lise Pape: Straight after graduation, Lise immersed herself in a
project that is changing the lives of thousands of people in the UK.
She founded Walk With Path in 2014, to create products like Path
Finder and Path Feel which help improve balance and make walking
easier for sufferers of conditions as devastating as Parkinson’s
and Multiple Sclerosis.

Read More about Lise Pape Here

 

LIFE ACHIEVEMENT AWARD

Christiana Longarini: Christiana is a sensible, sensitive, family oriented woman with a highly developed sense of ethics, solidarity and welfare. Known professionally for her innovative and creative approach to business, she was called to run the VSY shipyard which she transformed in a very short time into an ethical construction specialist, leading the sustainability argument in the yacht building industry.

Read More about Christiana Longarini Here

 

Koo Stark: Koo Stark is a writer, teacher, actress and most importantly, a photographer. She is also a long-time student of HH the Dalai Lama, whose friendship and teachings gave Koo the insight to meditate on the potential of capturing the beauty of life through photography and using the medium as a means of non-verbal communication. Harassed by paparazzi for many years, she initiated legal actions that would end up in the creation of the law on privacy in this country.

Read More about Koo Stark Here

 

Harriet Harman MP: She is the longest-serving female MP (since 1982) and has been politics’ most prominent champion for women’s rights, introducing the National Childcare Strategy, All Women Shortlists, the Equality Act and changing the law on domestic violence.

Read More about Harriet Harman Here

 

 

 

As finally spring sets in and temperatures go up, we all dust off our garden furniture, fire up the barbecue and prepare for the gentle British Summer. However, it is not always so gentle and the threat of cooking yourself in the baking sun even more than your burgers on the charcoal becomes a reality.

In Mediterranean countries every house has awnings on their patios and gardens but still in Britain there are many that don’t, with the inhabitants being exposed to the heat and the damaging sun rays. At I-M, we are quite design led so we understand you wouldn’t want to destroy the carefully planned aesthetics of your outside space with any old awning, and there is no need to do that. There are several design brands in the market that fulfil the function of a traditional awning but with far more modern designs and functionality. Our choice this year is Markilux, a leading German manufacturer, which since 1972, has been creating awnings, window blinds, furniture and other homes accessories of the highest quality and with the highest design values. The guiding principle of the company is:

“There is nothing that cannot be improved further.”

Here we feature the Markilux patio awning MX-1, winner of the German Design Award 2016 as well as three other design awards. Its deep cassette narrows towards the front, not only protecting the retracted awning cover, but also forming a practical narrow canopy against the façade. The extravagant appearance of the cover cassette is a real eyecatcher and the coloured front profile can be illuminated with an LED light strip.

Apart from high-class design and lighting that gives a warm, cozy atmosphere, the MX-1 sports a vast array of comfort-enhancing technology: extra strength folding arms quietly extend and retract the cover; an additional shade plus blind protects against the glare of the sun and provides privacy; the power supply to remotely control the motor-driven awning or intelligent weather station is hidden invisibly in the cassette housing; the MX-1 can be controlled via smart phone or tablet. This designer awning provides plenty of shade with an area of up to 30 square metres.

www.markilux.com
A journey into making
9–13 May

For five days in May, hundreds of locations around London give themselves over to the discovery and celebration of craftsmanship in every sector of making – from Britain and around the world. From the smallest off-the-beaten-track atelier to the storied livery halls of ancient makers’ guilds, the shop floors of luxury retailers to the Houses of Parliament, London Craft Week takes people on a journey of discovery into the capital’s most creative spaces. Launched in 2015 and now in its fourth edition, London Craft Week is the only festival of its kind in the world. Its packed calendar of events includes behind-the-scenes demonstrations, hands-on craft workshops and a programme of talks, interviews and discussions featuring some of the most fascinating individuals working in global craft today. Over the course of the week, a visitor might learn the intricacies of Swiss horology, British millinery and Danish ceramics; blend their own fragrances, print their own books and craft their own tableware; and hear the stories of crafted works and iconic luxury products direct from the mouths of their makers – but still only scratch the surface of what London Craft Week has to offer.

More than 200 events over the week span a vast spectrum of craft disciplines, from jewellery and leathercraft to printmaking and carpentry, and involve both established makers of global standing –the likes of Vacheron Constantin, William & Son, Georg Jensen or Dunhill– and emerging talents such as the ceramic artist Phoebe Cummings, and the glassblower Jochen Holz.

In our opinion, these are the highlights of London Craft Week 2018:

• Two events organised by Vacheron Constantin at their boutique in Bond Street. The first is a master engraving demonstration by one of their master engravers. The sessions focus on the delicate pounced ornament engraving technique, which consists of removing material so as to fashion relief effects. This is an opportunity to discover the Métiers d’Art Les Aérostiers collection that uses these techniques with stunning results.

Vacheron Constantin. London Craft Week 2018.

The second event that Vacheron Constantin offers to the public during LCW is the chance to meet their in-house master watchmaker for an hour-long demonstration of fine watchmaking, including the assembling of a movement.
Booking necessary Tel. 020 7578 9500

• It is also worth mentioning a unique showcase of some of Switzerland’s most revered small watchmaking houses, including Laurent Ferrier, Romain Gauthier, Ludovic Ballouard, De Bethune, Ferdinand Berthoud, Graham, H. Moser & Cie, and Moritz Grossmann – hosted by William and Sons.

William & Sons – Watch workshop. London Craft Week 2018.

• A series of meet-the-maker talks and interviews, where contemporary artists and craftspeople reveal the stories behind their works. Participants include Designer Morag Myerscough and tapestry artist Christabel Balfour.

• The return of the #LibertyOpenCall, when the celebrated department store invites designers and makers to submit their product for a chance to be stocked in the home department. Over at Carl Hansen & Son’s Clerkenwell showroom, Huit Jeans offer 10 exclusive items for sale only available during London Craft Week.

Carl Hansen & Son. London Craft Week 2018.

• Opportunities to gain insider access to the world’s most prestigious luxury brands and fashion houses, with special events from the likes of Mulberry and Vivienne Westwood; a drinks reception to celebrate John Smedley’s newly commissioned artworks by artistic couple Robert Montgomery and Greta Bellamacin; and an in-store perfume-making workshop at Floris.

• Behind-the-scenes access to some of London’s most iconic, off-the-beaten-track locations. Squire and Partners, the architects behind The Department Store Brixton, one of the most beautifully restored buildings in southeast London, will lead an insider tour of the building, culminating with drinks in the panoramic rooftop bar. On the other hand, Mayfair’s members’ club, 5 Hertford Street, hosts a bespoke board-game evening featuring exclusive works by luxury game makers Alexandra Llewellyn, Purling London, Pickett London, Simpson London and Geoffrey Parker.

Marilyn Monroe backgammon board by Alexandra Llewellyn.
www.londoncraftweek.com
By Charlie Young, Co-Founder of Vinoteca

Summer wines are coming. And just what are we going to be faced with? Shelves packed full of rosés and super-fresh whites such as Loire Sauvignons, teeth-grindingly acidic Vinho Verdes and Rieslings that taste like lime juice? Even some light and flowing reds, maybe served from the fridge, with dialled-down tannins and ramped-up fruitiness? Ooh, and let’s not forget fabulous fizzies which, let’s face it, means Prosecco by the container load and English, French and Spanish sparkling wines vying for the more discerning pound.

You may have detected an air of cynicism in the paragraph above, and it may also strike a chord amongst those of you who have been farmed examples which really did set your teeth on end and leave you wondering why your evening’s budget has disappeared so quickly.
It is true, as it is with all wine, that there are mountains of lazy examples out there. But there are also wonderful, inspiring or just plain bloody delicious versions that, with just a little nudging in the right direction, are there not only to be discovered, but to be enjoyed as they were intended – as an al fresco aperitif, with a meal on a terrace, or as part of a good old-fashioned BBQ. And always to be shared with friends.
Rosé
Good place to start. Look for something that has ripeness but not that kind of sugary sweetness that lingers and engulfs all other flavours. Freshness is key, and the kind of fruit flavours that burst from the most memorable bottles are redcurrants and cranberries, strawberry and orange. The best rosés for drinking on their own or with nibbles are simple versions with all of these attributes, easy to understand and even easier to drink. Ask your local independent wine merchant for examples from Navarra or Yecla in Spain, Tuscany in Italy or the Languedoc in France. Or try the brilliant Cote de Provence No.2 from Chateau de St Martin (£64.50).
Move up a notch or two, with wines made from older-vine fruit and perhaps aged in large-format old oak casks, and you add the savoury flavours and light spice that make them pair brilliantly with cured salmon, grilled pork or barbequed fish. The ‘Cru Classé’ Provence rosés will get you there, as well as those from Bandol such as Domaine de Terrebrune (£24).
Whites
Next up are tang-tastic white wines. We’re talking those which can wake you up from a mid-afternoon slump with an electric jolt, but which can then coax you into surfing its invigorating wave to the bottom of the bottle, rather than immediately batting you away with battery acid. Vinho Verde has come a long way in a relatively short time, and many combine the traditional low alcohol (10.5%) and spritzy tongue-fizz freshness with a rounder and fruitier character which literally makes all the difference. Try the Quinta do Ameal ‘Loureiro Classico’ (£16).
Riesling
The wine trade is fond of insisting how good Riesling is, but it’s a minefield. Is it dry, sweet, full, light, young, old, good, bad? It always helps to have a steer. So if we’re talking dry and super-zippy Riesling that delivers a stand-under-the-waterfall-in-your-underpants type experience, then look for dry Rieslings from the Pfalz, Mosel and Rheinhessen in Germany or the Clare Valley in South Australia. My current favourites are Riesling Trocken ‘Pirat’ from Kettern (£19.95) and the inimitable Rodney & The Horse Clare Valley Riesling (£14.95).
Sauvignon Blanc
I’m afraid that the stereo-typical Kiwi Sauvignon doesn’t get a look-in here. Pungent, capsicum-scented and thickly ripe Sauvignon clearly pushes some of the right buttons, but fresh and pure, chalky-fresh Loire Sauvignons make for proper summer drinking. Always consider the big hitter Loire Sauvignons such as Sancerre, Pouilly Fume and Menetou Salon, but an IGP Val de Loire Sauvignon makes financial sense and will put a big sunny smile on your face. Try the refreshing, citrusy and grassy Sauvignon Blanc from Wally (£22.50).
Light reds
Light reds, although we know make sense, do scare many of us away. Don’t be frightened. That local friendly wine merchant will come in handy here. She or he will probably steer you towards Beaujolais or Valpolicella, and very worthy they are; but if you’re feeling adventurous, you should try a Dornfelder from Germany or an English red – the best examples of which are fruity and ripe yet soft and easy to drink. Denbies Redlands (£13.95), a Pinot Noir led blend from Sussex, is delicious and won’t break the bank like many English wines.
Winemakers from all over the world are becoming more confident in producing lighter, lower alcohol reds, and as the quality of the fruit they use is often high, they can make for delightful summer drinking. A good example is the cherry and spice-laced northern Rhone Cinsault from Burgundy producer Mark Haisma, which we’ll be serving all season.
Fizz
We all know and love Prosecco. Go for the cheapest options and you’ll get something made from high-yielding Glera grapes grown low down on the plains in Italy’s Veneto region. A few more worthy pounds and you’re likely to be drinking wines distinguished by high-quality grapes from the Conegliano-Valdobbiadene ‘zone’.
Trading up? We all know and love Champagne, but ignore English sparkling wine at your peril. They are often made just like Champagne from the same grapes, from the same soil types and in a similar climate. We’re loving the Cornwall Brut from Camel Valley (£29), with its cascades of citrus and freshly baked bread flavours. Who doesn’t love Cornwall anyway?
Shorts on, sunnies perched atop, flip-flops wedged in? Good, that means it’s summer. You know what to drink.
www.vinoteca.co.uk 
About Charlie Young

A diploma in Hotel Management gave Charlie Young the grounding to embark upon experience in the Channel Islands, West Indies, Germany and England, before moving to the drinks trade where his first position was selling Tetley’s Bitter to working men’s clubs in Yorkshire. Experience in the wine trade in France and Australia followed, before landing at Liberty Wines’ doorstep where he met Brett Woonton. Together they opened the first Vinoteca wine bar in 2005 on St John Street in Farringdon, London. The rest is history.
By Alexandra O’Brien

Aboriginal art is the world’s oldest art making tradition, spanning at least 60,000 years.  Australia is both the inspiration and the canvas. The artistic tradition was used to convey practical knowledge and ceremonial practices drawn from the Dreamtime with interweaving stories of historical significance, map making, cautionary tales, love stories and law.

The contemporary art movement began in 1971 with Geoffrey Bardon encouraging Papunya elders to paint their stories.  The elders hold the sacred knowledge so grappled with the notion of sharing it outside their clan groups. The stories we see across so many fabulous paintings are what the artist deems suitable for the uninitiated to see: the secret stories either not shared or hidden under flurries of dots and broad brushstrokes like those from Utopia, where Earth’s Creation by Emily Kame Kgnawarre hailed from.

The paintings of the desert regions are bold, beautiful abstracts based on Aboriginal Dreamtime stories and the unique culture of the region which feature the landscape, plants and animals found in the Central Australian Outback. The subjects span figurative depictions of desert plants, desert topography, geography and stories from the Dreamtime.  Canvases are often primed with black paint representing the colour of their skin harking back to the body painting tradition still ceremonially significant today.

During the first 30 years of the movement, many artists picked up a paint brush for the first time in their 70s and in Minnie Pwerle’s case, she was 80. There are various reasons for this late uptake:  Shorty Jangala Robertson, traumatised by the Coniston Massacre, skirted around “white fella’s” for years, and only started painting when he was 76. Others had to wait until they achieved sufficient seniority and knowledge in their kinship group to give them the authority to paint their stories.

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Work by Shorty Jangala Robertson. Photo credit ©Adam Carter

It must be emphasised that most Aboriginal artists have never received any formal training and are not, on the whole, influenced by Western paintings traditions.  Indeed many do not speak English, like the famous Gloria Petyarre who would tell you the UK is “some place over blue sea’” with an arm waving in a wholly opposite direction.

Mina Mina Dreaming paintings by Walpiri artists trace the contours of the sand-hills and the edible fungi found there.  Judy Napangardi Watson famously painted the snake vine found on the desert oaks at Mina Mina. Her powerful, multicoloured works exude an energy that takes you back to the land of extreme contrasts where the temperature can reach 40 degrees during the day and hit zero throughout the night.  During their nomadic lives the desert Aboriginals walked from dawn to dusk looking for food and water, singing to Country and performing ceremonies retaining their symbiotic relationship with the land.

The Tjalptjarri brothers, Pintupi people, are the last group to come out of the desert in 1989 after reconnecting with family 30 years after they were collected and taken to the Kiwirrkurra settlement.  Now major artists, the Tjapaltarri brothers are custodians of the Tingari Cycle, a story that takes you on a sacred journey throughout the sand-hills and escarpments of the outback similar to following a maze with no beginning or end.  The outstanding piece by Warlimpirringa Tjapaltjarri’s Mamult Junkunya recently sold at the Sotheby’s Aboriginal March auction shows his skill at conveying a minimalist aesthetic of powerful simplicity while sharing elements of his ancient culture and sacred land with us, the uninitiated.

 

To read the complete interview reserve your copy of I-M, Intelligent Magazine, on sale May 21st from all good stores.

 

About Alexandra O’Brien
Alexandra O’Brien comes from a background of journalism, film and TV but having always had a good eye for art, she decided to start a gallery when she moved to the UK from Australia.  In 2008, the Aboriginal art dealer Fred Torres came to the UK and asked O’Brien to deal on behalf of his Aboriginal family.
Recently, O’Brien founded Bay Gallery Home, a permanent Aboriginal art gallery in the Cotswolds, where she developed the award winning collection My Country: design with origin, pioneering Aboriginal high end interiors. Aside from receiving the World Interiors News Award, Surface & Accessories at the Design Museum in London and being featured in magazines internationally, Bay Gallery Home has recently been shortlisted for two SoGlos awards.
Bay  Gallery  Home offers a range of core products for interiors, including tiles, wallpapers, rugs, fabrics, furniture and extends a made to order facility to designers and architects who may wish to commission  exclusive bespoke pieces. My Country contributes to the debates about archaeology, horticulture, botany, anthropology, and the preservation of ancient & indigenous cultures.
The Collection was created with the utmost consideration for codes of conduct and spiritual sensibilities. Due to the meaning and importance of every element in the artworks, Bay Gallery Home enlists state of the art techniques to ensure the detailed quality of each piece is preserved in the design process. The artists the Gallery represents are remunerated for the original purchase of artwork and receive a percentage of the interiors sale – a unique secondary income stream that has direct bearing on the mobility, educational and work opportunities of often isolated communities.
www.baygalleryhome.com

 

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