Watches & Wonders 2025 was all about the spectacle. And why not?
If Watches & Wonders 2024 was all about America’s Cup boats, 2025 was the year of the F1 car. On the IWC stand it appeared smashed and smoking – an actual crashed car from Brad Pitt’s summer blockbuster, F1. TAG Heuer went for a more traditional approach, giving it some stand space, while Tudor opted for suspending it, so passers-by could admire its chassis. If this had a message, it was that, for some brands at least, quiet luxury is out, and excess is in.
Simone Ashley, co-star in the F1 movie, and IWC Schaffhausen CEO, Chris Grainger-Herrat, at Watches & Wonders Geneva 2025.
Some context – in December 2024, Sean Monahan, founder of trend-forecasting group K-HOLE and the man who gave the world the terms “normcore” and “vibe shift”, decreed, in his Substack newsletter wittily titled “8Ball”, that for 2025, logo-less Brunello Cucinelli baseball caps were out, now it’s all about the “boom, boom”. Monahan described this as an “aesthetic [that] plays with the muscular patriotism of Americana”. It summons the animal spirits: performance and profit.” In reality, that meant real fur…