October 9th 2018, London
It’s time to vote for our Formidable Women of the Year Award from our finalists
below and remember, it’s an amazing time to be a woman.
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The Cotswolds is a bucolic picture postcard of fantasy English villages; gilded honey-stone hamlets with verdant greens where the vicar might umpire cricket matches, red telephone boxes, gastro pubs and cutesy cottages Farrow & Balled to within an inch of their life. Which leads us to the long-wheelbase-only top-of-the-Range Rover
Frank Gehry’s work, while unconventional, is considered one – if not the most – recognisable architect of our time. As a child, Gehry occupied much of his time experimenting with different materials in his grandfather’s hardware store, with his grandmother consistently encouraging his artistic leanings. He then spent his formative
Although one could argue that the use of a block of stone as a base on which to read the time goes back a few millennia (think sun clocks), in terms of horology worn on the wrist, it is not until the 1960s that we find dials made of hard
“We always start with the story,” explains Rainer Bernard, director for research and development at Van Cleef & Arpels. “Take our Brise d’Été. We wanted to create a garden in summer morning light with butterflies and delicate flowers moving in the breeze. It’s about poetry. We have to show how
Automata are one of the most ancient and impressive ways to make a mechanical splash, as 2024’s latest animated wonders show. I-M TIME asked Sam Kessler to tell us more about these marvellous examples of horological creativity. Amongst all the various complications and functions of a fine timepiece, there’s one
In a sense, it was a quieter year for Patek Philippe, but that does not mean the watches presented were not superlative. Along with a Rare Handcrafts Exhibition at their Geneva boutique and the integration of the crafts into the watches released at Watches & Wonders, this was a year
William Cowper’s well-known proverb, “Variety is the very spice of life”, was actually preceded by Aphra Behn. In her play, The Rover (1651), she coined the phrase: “Variety is the soul of pleasure”. Prior to Behn, Euripides argued that “a change is always nice” in Orestes. These pedigrees of linguistic
British-Nigerian artist Yinka Shonibare has returned to the Serpentine with his first solo exhibition in London in 20 years. Titled Suspended States, the show looks to explore the many repercussions of colonization, Europe’s imperial history and subsequent endeavours for peace. The compelling artworks delve into key themes such as the
One Response
What an inspirational group of women, so hard to choose between them, well worth celebrating!