Lifestyle

The most desirable postcode on Earth?

Sotogrande 11310 is rapidly becoming one of the most sought-after postcodes on the planet. The latest sales data shows that this highly exclusive area on the southern end of the Costa del Sol in Spain is now rivalling Monaco, St Tropez, Mayfair and The Hamptons as the most desirable destination on Earth.

Its unique 11310 postcode is proving increasingly enticing to ultra-high-net-worth buyers. They are drawn by luxury living, state-of-the-art developments and some of Europe’s most prestigious golf courses.

To reinforce the point, in 2024 Sotogrande’s property market saw a 30 percent rise in average sales prices compared to the previous year. The new average is over €1.9 million and the peak of the market topped €17 million for the first time. It is clear that business is booming.

Living area of AQUA, by Manuel Ruiz Moriche (ARK Architects). This villa, located at The 15, sold for €12m.

This remarkable success story has been powered by pivotal developments such as The 15 and Village Verde. More than 15 percent of the plots and villas at The 15 have now been purchased, while AQUA – an…

A new luxury boutique at Westfield Shopping Centre White City

The hottest destination for watch & jewellery aficionados in the know is the new-look Bucherer boutique at Westfield Shopping Centre in London’s White City. Situated in mall’s exclusive ‘Village’ alongside the world’s most prestigious designer names, the extensively refurbished 370sqm space creates the perfect luxurious ambience in which to experience a selection of fine watches […]

A delightful day at Ross & Friends

Last Sunday, we embarked on a tail-wagging adventure to Ross & Friends to discover their new Doggy Afternoon Tea. Tucked away just off the M25, this doggy haven is a true paradise for pups and their doting “pawrents”. IT offers over 35 acres of safe, enclosed space for dogs to run free, play, and explore […]

by Dr Andrew Hildreth

Bentley’s centenary year has had a Janus face aspect to it: looking forward to sustainability and zero carbon emissions, while learning from their past craftsmanship and engineering. In the same year, Bentley produced the futuristic EXP100, their vision of the car in 2035; they completed or inaugurated projects that examine the cars of yesteryear; and produced limited edition cars named after the individuals who fashioned Bentley into the marque it is today. Busy year! But one thing is assured, Bentley Motors is well placed to grow and prosper for the next century. It was Bentley’s time to take stock and move forward to redefine luxury and mobility in the 21st century.

On July 10th 2019, 100 years to the day since foundation, Bentley unveiled the EXP100GT. A beautiful sleek sculptured form for an automobile embodying everything Bentley could envisage a luxury grand touring car would be in 2035. Taking nothing away from the marque’s knowledge of hand building and hand crafting a luxury car, the EXP100 incorporated new technology that would add to the experience of luxury travel by car and the wellbeing of the driver and passengers. Adrian Hallmark, Chairman and CEO summed up the EXP100 as: “… Comprehensively stands for everything in Bentley’s future. The only aspects that remain from Bentley’s heritage are excellence in craftsmanship and design.”

The 1929 Team Blower.

More importantly, the EXP100 car itself represents the move towards a sustainable future. At a time when the motor industry is being asked serious questions about clean and sustainable products, Bentley, under Hallmark’s leadership, has chosen to push forward to lead in the development of such technology: “In order to progress sustainably, the automotive industry needs to move away from the techniques and materials that belong solely in the past. I want Bentley to pioneer this.”

While accelerating towards the future, Bentley have not forgotten their rich and illustrious past. Reaching a hundred in the motor industry is a rare feat; particularly when the mandate of the founder: “To build a fast car, a good car, the best in its class” is still the operative mantra at the company today. When Bentley had just started, W.O. (Walter Owen Bentley) introduced the Super Sports car, which was accompanied by a very bold claim: guaranteed to lap the outer banked circuit at Brooklands at 100 mph.  Both mechanics and track condition were obstacles against engineering such a car. First, the race car lap record stood only just above that and this was a road car. Second, the surface of the outer lap at Brooklands was more akin to an agricultural track than a race circuit would be today. Yet the car was built.

1930 Original Brooklands Poster Promoting the ‘500 Miles Race’.

In its centenary year Bentley has taken a look back at that era when the legend was created. In total, four different projects have commemorated, for want of a better term, the “Bentley Boys” era. First up was a trio of limited editions created by the Mulliner team that celebrated the iconic cars of the founder and the more famous racing cars from the first decade: the Mulsanne W.O. Edition, the Continental GT Number 9 Edition and the Continental GT Convertible Number 1 Edition. In a sense, the obvious choices, but equally vexing to the founder perhaps in that the two Continental limited editions honour cars of which he did not approve; W.O. did not believe in the supercharged engine, although history has shown that Birkin was ultimately correct.

The fourth project has been far more ambitious in scope and work. The Bentley Blower Continuation Series will take Birkin’s own Team Car No. 2, registration UU 5872 that played a pivotal role in the factory Bentley Speed Six victory at LeMans in 1930, take it apart, digitally scan and catalogue in 3D each part to build a virtual model of the entire car. Then, using Bentley Motors’ generations of handcraftsmanship skills, the 1929 “Team Blower” will be the master example for 12 continuation cars. It is an ambitious project and one that will take the Mulliner craftspeople 2 years to complete.

A similar project that saw fruition this year was the rebuilding of the 1939 Bentley Corniche. Eighty years ago, when new, the car was a radical step forward introducing streamlining for greater speed and performance over the more traditionally styled Bentleys at the time. The Corniche became Mulliner’s first historic car project, helping to build and demonstrate their impressive breadth of coachbuilding and restoration skills. Using the original technical drawings, the car has been rebuilt at Crewe incorporating original Corniche and Mark V mechanical components. The body was completely re-manufactured in every detail to the original.

Continental GT Convertible Number 1 Edition by Mulliner.

On the historic projects Adrian Hallmark noted: “Reconstructing these cars required our meticulous knowledge, eye for detail and upmost care to ensure that they were faithful recreations – however, we are also to make use of the very latest digital technologies, modern techniques and evolved craftsmanship. Restoring the models of our past is essential to maintaining our heritage for future decades.”

Bentley are now poised between this century and the last. Throughout it all, they have remained true to their founding principles. They were always (and still are) THE luxury car marque. From the very first engine and chassis configurations to roll off the production line at Cricklewood. Bentleys were to order. While coachwork knowledge was the lineage of firms that were once the mainstay of Mayfair (although mostly all now long forgotten) like Gurney Nutting, Park Ward, or H.J. Mulliner, Bentley were always about bespoke, about the choice of whatever you wished for in a luxury car.

That bespoke and handmade nature of the car is still in evidence today at Crewe. It’s the detail in thought that becomes so apparent, like wood veneers that are matched and mirrored according to the customer’s choice; advances may have been made in other parts of automotive design, but the construction of the body is still hand welding; engines are still constructed by individual mechanics; the car is finished and polished by hand; someone even hand irons the leather on their sumptuous seats. The cars are very much the same in terms of human content: neighbourhood friends and generations past and present of people who have worked on the cars that proudly wear the winged B insignia.

The Bentley EXP 100 GT.

The future is the harnessing of such skills and dedication to keep manufacturing luxury automobiles. While the EXP100 may have a dashboard of copper infused carbon neutral fossilized wood, the crafting of the material to the form required will still rely on the skilled hand. Hallmark summed up the future for Bentley as a fusion of the old and the new: “… The Bentley EXP 100 GT was designed exactly as the antithesis of the reconstruction of cars. It comprehensively stands for everything in Bentley’s future. The only aspects that remain from Bentley’s heritage are excellence in craftsmanship and design. Old cars have their place but have little to do with the next phase of Bentley’s development. I firmly believe that all ideas introduced through the launch of the EXP 100 GT will be reflected in Bentley designs over the coming decades and that all new technologies or materials will be in use or have been developed even further.” Bentley passes through the 100 mark and accelerates into the future. Sounds familiar.

(Opening picture is W.O. Bentley)

by Lavinia Dickson-Robinson

The very first thing I do after arriving in Florence is to go to the Santa Maria Novella Pharmacie, and with good reason. I have a habit of stocking up their divine scents soaps and candles… which are not cheap.

So after my shopping spree, I always need to settle my nerves and think of a plan to explain to husband how my credit card bill got so large. The answer, to sit on the terrace of my favourite bar in the square adjacent to Santa Maria Novella’s church to enjoy one of my favourite cocktails, a Negroni, a devilishly wicked cocktail that matches the little devils depicted on the frescoes of the church. With the first sip, my memory travels back to the 70s, when Campari was super chic, its vivid red served on the rocks with a splash of soda and a slice of orange.

In 2017, the craze for Campari resurged with the Campari Creates initiative, which saw artist Eley Kishimoto recreate the iconic Campari lettering on the Banks of the Regent’s Canal. The year after, Mark McClure created the art instillation Mostra which invited consumers to enter the magical world of Campari.

 

 

This year, in celebration of the iconic cocktail’s 100th anniversary, Campari and Galleria Campari present N100. The Art of Negroni, an exhibition of illustration, pictorial and photographic works from around the world to celebrate Negroni. The show features 29 artistic interpretations of the iconic cocktail with a CAMPARI soul. The cocktail was invented in 1919 in Florence at the Caffé Casoni by Fosco Scarselli, when the erudite and refined Count Camilo Negroni asked him to add gin instead of soda to his favourite drink: the Americano.

Starting from three equal parts of Red Vermouth, London Dry Gin and the indispensable Campari that make it up, the imagery of Negroni has been pieced together over the years through its appearances in literature, art and cinema. The Negroni is in fact drunk by James Bond in the film For Your Eyes Only; Ernest Hemingway included it in Across the River and Into the Trees; Audrey Hepburn is said to have called for Negroni to be served at the parties she organised during the filming of Roman Holiday; and Orson Wells apparently became a fan of the cocktail after discovering it in Rome in 1947 while shooting Black Magic.

Looking back at its fascinating history, some of the most interesting voices of the Italian and international artistic panorama have been called upon to interpret the iconic cocktail. Campari has inspired artists from all over the world, collaborating with partners such as Central Saint Martin’s College of Art and Design of London, the IED – Istituto Europeo di Design and the artistic collective Visionar from Milan.

The artists involved representing Italy are Alvvino, Giacomo Bagnara, Iolanda Bellotti, Elenia Berretta, Margherita Terraneo, Alessandro Cripsta, Federico Epis, Luca Font, Elisa De Alencar Rodrigues, Jacopo Rosati and Francesco Poiana. The exhibition also features a broad international presence with the works of Rupert Whale from the UK; Michael Corridore and Jamie Preisz from Australia; André Clemente from Brazil; Søren Behncke from Denmark; Emil Wikström from Finland; Julia Spiers from France; Alicia Martha Gisela Stricker from Germany; Spiros Halaris from Greece; Jan Chan from Hong Kong; Lianne Nixon.

 

 

The display titled The Art of Negroni showcases the results of these collaborations through a diverse collection of creative installations, illustrations, pictorial and photographic works dedicated to the Negroni cocktail and to what it represents, both in the collective imagination and in the personal visions of the artists involved.

The variety of works presented pays testimony to the various stylistic approaches that also reflect the range of refined billboards from the early 20th century to the Futurist designs ushered in by Depero, and the famous lettering in the works of Bruno Munari, while the subjects represented are inspired by the iconic Campari bottle itself, the botanical notes in the cocktail ingredients, right up to entirely abstract interpretations conjured up by the Negroni bouquet.

The Campari approach, both visionary and forward-looking, has thus always been a source of inspiration, and not just for bartenders.

Through an approach which is simultaneously classic and contemporary, the brand has forged artistic partnerships with both Italian and international illustrators, painters, directors, poets and sketch-artists, contributing to the development of an entrepreneurial vision for an avant-garde brand. The Art of Negroni is therefore also a homage to the extraordinary world of Campari advertising material, which ever since its origins in 1860, has made use of the arts as its narrative vehicle and communicative channel of choice.

Till Friday 20 December 2019. Viale A. Gramsci, 161, 20099 Sesto San Giovanni. Milano
www.campari.com/it/inside-campari/campari-gallery

by Papa-Sono Abebrese

Having just completed watching Peaky Blinders, I think I understand why the whole country seems to have fallen in love with the character of early 20th century gangster Tommy Shelby and his family.

Set just after the end of WWI, this is quite an intriguing and somehow intellectual series.  During five seasons, we follow Tommy Shelby, a Birmingham gangster\businessman as he builds and maintains a thriving empire consisting of both criminal and legitimate businesses, from Small Heath, an unsavoury ghetto in Birmingham, along with his squad: the Peaky Blinders. Similar to many, if not all gangster movies and TV shows of our time, family seems to be the nucleus and the main drive for Tommy’s ambition, and the reason for much of his success.

Initially, the main earner for their franchise is illegal bookmaking, namely fixing horse races, a sport for which Tommy feels a deep passion. What excited me the most while watching this show, is seeing the gradual expansion of their empire throughout each season, not only financially, but in power, territory around Britain, and most amazingly, with their political connections. Creator Steven Knight has infused this man with savvy finesse and coordination, making him a completely credible character, even in his direct dealings with Winston Churchill.

The fictional gang is loosely based on the Peaky Blinders, a real 19th century urban youth gang who were active in the city from the 1890s to the early 20th century.

In case you are one of the very few human beings who have not watched the series, let’s start with their living situation. In the first season, each member of the family lives in their own tiny shack in Small Heath. They’re more than comfortable with this setting, it allows them quick and easy access to the whole district, and are always amongst the people so they can regulate the community as they so wish. Their main headquarters is a gated up concealed fortress from which they oversee their gambling operation. A handful of Tommy’s soldiers, along with his two brothers (Arthur and John) and Aunt Polly (second in command after Tommy), keep things in order. In the evening they all go to a pub called the Garrison where the men l socialise, hold meetings, and get insanely drunk till the early hours of the morning.

Cillian Murphy as Tommy Shelby. Photo: © Annie Forrest.

Although content with their humble beginnings, Tommy has a secret addiction to opium, which he smokes at the end of his day, locked up alone in his low key dwelling. This is to help battle the demons and horrors he endured while serving in WWI as a tunneller.

During one of his crew’s heists, they come across a consignment of military grade guns. This seizure by Tommy’s boys has the police, local rivals, and of course the IRA frantically making enquiries, and its not long before they’re all looking in direction of the Peaky Blinders. The head of the police sends a female undercover agent to apply for a job in the Garrison in an attempt to infiltrate the Peaky Blinders and acquire information. However, as television would have it, Tommy manages to charm and style her to the point she falls hopelessly in love with him, fully defects to his side, and marries him, also shooting the head of police, the same one that sent her to play spy in the first place. Like I said, just as television would have it..

The Peaky Blinders criminal endeavours steadily grow and prosper to the point they can diversify their portfolio. They buy racetracks and horses around the city, and are now legitimising their operation which by then extends to London. Still there is plenty of work to be done on the streets. All members of the crew wear peaked flat caps, and cleverly concealed in the brims would be small razor blade, so whenever a brawl would break out, they would snatch off their hat, and wreak chaos, many times blinding or slitting the throat of their opponents, hence the name Peaky Blinders. Should the blades not be sufficient, guns and bombs are readily at hand. All in the name of letting their business and reputation grow, and that it definitely does. Riding on horseback soon turns to driving elegant automobiles.

By the start of the second series, Tommy has relocated to a smart mansion out of the ghetto, further out in the country, with his wife and new born baby boy. Their gambling HQ has increased in size, with more steel gates, safes, employees and security personnel. As well as the garrison, the firm also have a collection of other pubs under their control. In addition to this, they are now in the business of manufacturing and exporting vehicles.

Tommy takes one of his biggest losses in season three when his wife is shot dead in their own home during a lavish charity ball. This doesn’t break him, but fills him with anger and takes him to an even more violent and carefree approach to his ventures, leading to him swindling and tricking his way to poor decisions which nearly could have cost the whole family their lives. The end of this season sees all of them (minus himself somehow) charged with multiple murders, shootings, and bomb explosions. Minutes before they are all to be hung for their offences, Tommy cunningly manages to negotiate a deal with associates he has established in top standings in Parliament and all are spared. The show must go on.

Tom Hardy as Alfie Solomons. Photo: © Annie Forrest.

Season four shows the affluence spread out to the senior members of the family. Polly and Tommy’s two brothers each move into bigger, more luxurious lodgings in smarter parts of the city. Another legitimate venture they have undertaken is manufacturing alcohol, a few distilleries have been set up in different parts of their territory. Sadly, one of the brothers, John is killed in what will initiate a war with the mafia, who have waged a vendetta for the killing of one of their men, Mr Changretta, by the Peaky Blinders. By the end of this season, the mafia has of course lost and more spectacularly, Tommy has managed to use his network and links to parlay for himself a position as Member of Parliament, representing Birmingham.

Residency in London is next for Tommy so he can continue his political exploits in season five. It takes for him to get to this position to realise he is now dealing with the most evil, black hearted, and powerful men he has ever encountered in his colourful career. His first face to face meeting with Winston Churchill reveals that they have a common nemesis, but this enemy will take longer than a season to eliminate. Therefore, we impatiently await for season six, which is speculated to be filmed then aired, either end of 2020 or early the following year.

Concluding, I feel that the Peaky Blinders series has been such a phenomenal success for as long as it has, plus a distinguishable credit for British television because of its ingenious amalgamation of violence, love, family and the paramount factor: the rise to the top. Also, all creeds and classes of life enjoy watching because all levels of society are featured in the series. Tommy rubs shoulders with all social classes over the series.

Lastly, I do feel younger audiences and other easily influenceable viewers should beware. In my 30 years of watching television, I’ve never seen a show where the characters drink and smoke so much! It amused me to no end, on average I calculated Tommy would smoke 12 cigarrettes per episode. Sometimes even more. Maybe that’s just what it was like in the ‘20s.

Available on BBC and Netflix.

by Jeremy Webb

GoCycle is a company going places and so are the people buying their, quick folding electric bikes. The latest model from the British brand is the GX which can be folded in ten seconds. Cycling has been the transport of the masses for over a hundred years and its popularity grew through necessity. People needed a way to commute which was cheap and easy. Nothing has changed in the 21st century when again, masses of people need an inexpensive and easy way to get to work and back home.

Public means of transport like buses, trains, taxis, or even Uber, as well as their private counterparts, – cars and motorcycles- are expensive: Train fares are forever increasing and mile for mile Britain’s Rail prices are the highest in the world. Every time you jump on a bus it costs nearly £2 a trip, not to mention the barriers to using a car for commuting. Going into London a car driver faces congestion charge, ULEZ charge, the fuel to get there and back, the headache of looking for extortionate parking, plus the actual stress of driving in the city. Other cities and towns are becoming just the same, making driving to work almost a thing of the past.

These issues have brought about a resurgence in cycling to our streets. Technology has improved to help cyclists with lighter bikes, better gearing and now electric batteries powering motors to provide additional power to supplement the riders’ pedalling. Gocycle is leading the way with its electric bikes that fold in seconds, enabling ease of riding and carrying, or wheeling when required to transport or store away. The GX model I rode made me smile, taking me back to my childhood, to the days of riding my BMX for pure pleasure. The small but wide wheels of the GX allow for great all weather tyres that handle all types of surfaces. I took the GX on mud, grass, shingle and of course tarmac to fully test it; it did not disappoint.

This latest model by GoCycle capitalises on the company’s 10 years in production, featuring the Pitstopwheel which allow for super quick tyre changes if you need to, without having to move the wheel. Its 300Wh battery can be removed easily from within the aluminium frame where it is hidden away, but can be charged whilst on the bike giving a range of 40 miles (65Km) after seven hours. The GX has three gears engaged via a mechanical twist shifter. All cabling is hidden away within the frame and the level of the battery is indicated on an LED display on the handlebars. Gocycle have an App which links your smartphone to the bike allowing for customised (riding) modes, health statistics and more.

The designer of Gocycle Richard Thorpe states

“Our new GX model compliments our current range, remaining true to our Gocycle DNA of stylish, lightweight, no compromises design, and fun, in a package that has been carefully designed to enhance the lives of urban commuters.”

The two other models Gocycle produce are the GS and the top of the range G3. £2,500 and £3,500 respectively. All this technology and lightness comes at a cost. At nearly £3,000 the GX is not cheap at all, but when you consider the costs of Railway season tickets or the running costs of a car you can soon justify the price and see the many benefits of riding a Gocycle: Not only it is clean to run, but regular riding will also help you improve your health and it is a lot of fun. I want one.

Prices for the GX start at £2,899
www.gocycle.com/models/gocycle-gx-gxi/

A life lived in the name of duty

Sergeant George Edgar Hildreth .

Sixty million soldiers from all over the world served in Word War I, fighting in locations all over the planet, from France to Greece, Turkey to China, the North Sea to the Pacific Ocean. The acceleration in the development of warfare technology at the end of the 19th century meant that combat in WWI became a unique and terrifying experience.

In the UK around six million men were mobilised during WWI, and of those, 890,000 died during the war. Over 16,800 civilians also lost their lives. A lot has been written about the famous battles of the Great War: Somme, Marne, Gallipoli, Amiens, but only the valour of a few men has been recognised: Alvin York, Henry Johnson, Alan Jerrard, and even a woman, Edith Cavell, a British nurse who helped 200 Allied soldiers escape from German-occupied Belgium. But what happened to the other millions of soldiers that dutifully and bravely served day after day in the front line? What happened when men, often not even 20 years of age, were given the order of ‘going over the top’?

One such man was George Edgar Hildreth, the son of the local blacksmith in Prestwood, Buckinghamshire. The Hildreths have been in the area for a long time and had been instrumental in the development of the village, contributing with most of the ironmongery for public buildings, including that for the Church. Such was their presence in Prestwood that there is even a Hildreth lane today, a Hildreth’s Garden Centre and a Hildreth’s Hardware Store.

When WWI started in 1914, his brother Harry stayed to look after the blacksmith shop and George signed up to go to war. He joined the rifles, the South Wales Borderers and was trained at Bisley, at the Royal Regiment training grounds in Surrey, to become a sharp shooter. In Sebastian Faulk’s famous novel Birdsong (1993), the author focused in how the experience of trauma shapes individual psyches. One of the main characters is a miner who, in 1916 France, was a soldier ordered with digging out the explosives in no man’s land, so they could blow them up remotely and move on.

Front of postcard sent by Sergeant Hildreth to his wife from the Somme.

Sergeant George Edgar Hildreth was doing the opposite. As a sniper, he was out there in no man’s land, wading through the mud, the blood and the bodies that were lying around, to position himself, looking to mark Germans and take them out, one by one. That’s what he did from 1914 to 1918. He was 6ft 6’, hard to miss. However, he had to keep cool, crawl, and slither, and somehow, he managed to survived unscathed for three and half years. He was posted to France, to the trenches, as part of the Western Front. Landing in Le Havre in 1914, he was deployed first to Ypres and from there, later in the war, to the Somme.

For the soldiers of WWI, combat was an exceptional circumstance, rather than the norm. For many, life consisted of toiling to keep those at the front supplied. One could even say that frontline troops had not too bad a life, as they were regularly rotated to make sure that the time they spent facing the enemy was balanced with time spent at rest, even going on home-leave. As a frontline soldier, Sergeant Hildreth’s every day life was pretty much the same, the sodden squalor and listless life of facing forward until day’s end: live in the trenches, go out, set up your position, settle, take aim and shoot. The only respite was the occasional leave to go home and see his wife.

That said, the reality of life in the front was much harder

That said, the reality of life in the front was much harder. Men were exposed to the elements for days or weeks on end, with limited shelter from cold, wind, rain and snow in the winter or from the heat and sun in summer. Artillery destroyed the familiar landscape, reducing trees and buildings to desolate rubble and churning up endless mud in many areas. The deafening and disorienting noise of artillery and machine gun fire, both enemy and friendly, was incessant. It is true though that in some quiet sectors there was little real fighting and a kind of informal truce could develop between the two sides. Even in more active parts of the front, battle was rarely continuous and boredom was common among troops, with little of the heroism and excitement many had imagined before the war.

On the other hand, the men and women who served in WWI endured some of the new brutal forms of warfare ever known. Millions were sent to fight away from home for months, even years at a time, and underwent a series of terrible physical and emotional experiences. The new technologies available to WWI armies combined with the huge number of men mobilised made the battlefields of 1914-18 horrific.

Message form postcard sent by Sergeant Hildreth to his wife from le Somme.

Men ordered to attack – or ‘go over the top’ – had to climb out of their trenches, carrying their weapons and heavy equipment, and move through the enemy’s “field of fire” over barbed wire, keeping low to the ground for safety… and avoiding landmines. The objective was to reach the enemy’s front line, and use rifles or bayonets to attack the enemy directly in their own trenches. Once the defenders were eliminated, the attacking force seized the position… in theory. In reality, these tactics were often unsuccessful and victorious attacks were rare, ground gained by attrition; every inch was earned in the blood, sweat and tears of the men who fell to provide the way for their fellow soldiers. Casualties were extremely high, with many men killed and wounded: attackers often suffered higher casualties than defenders. Wounded men were carried or escorted back to field hospitals for treatment, while the dead could only be buried if there was a break in the fighting.

In January1918, Sergeant Hildreth was shot in the head and presumed dead. A telegram was sent to his wife from the War Department saying:

Sorry to inform you that your husband made the ultimate sacrifice to your country and died in combat. Thank you for your sacrifice…

Unknown to all of them, Hildreth had spent two days crawling in the mud and rain with a massive head injury, cold, alone, disoriented and scared. He finally arrived to a French field hospital where he was treated.

Three weeks after the telegram from the War Office, a postcard and letter from him arrived to his wife saying, “I expect you’ll be surprised to get this letter from me, dear, but I thought I’d let you know that I was slightly wounded in the face and shoulder but nothing serious.” Where this man found the courage and presence of mind to write such a letter, I can’t imagine. After that, he was dismissed from service and went back home. In this day and age, when information arrival is almost immediate, it is hard to comprehend that someone could be presumed dead; that actually measures were undertaken to finalise the life of Sergeant Hildreth, and yet, he was alive and reliant on a postcard from a hospital bed to prove he was still among the living.

Sergeant Hildreth’s only son, George, was born in 1925

Hildreth took a short break and then went to train other sharp shooters at Bisley, before joining Scotland Yard in 1921. He was given Detective status, and put in charge of the Prime Minister’s security at Chequers all the way through the 1930s. Sergeant Hildreth’s only son, George, was born in 1925. Despite peace and the uneasy overtures of hostilities returning to Europe, it was the smallest and most hidden of killers that bettered George Hildreth in the end. In 1937 Hildreth refused to leave his post as Head of Security at Chequers, despite of having a bad cold, which turned into pneumonia and eventually, killed him. Just months before penicillin became widely available and in the prime of his life, Sargeant Hildreth’s life was cut short by an invisible enemy.

Now in its 14th consecutive year, Salon Privé is one of the most established automotive events in the UK, taking place in the stunning grounds of Blenheim Palace; birthplace of Sir Winston Churchill and home to the Duke of Marlborough and his family.

Each year, we step back in time with the prestigious Chubb Insurance Concours d’Elégance, the country’s oldest and most exclusive classic car competition, which attracts some of the rarest and most exquisite cars ever made. Alongside this vast show of classic beauties, some manufacturers of luxury vehicles come to Salon Privé to showcase their newest models and offer visitors the chance to test-drive cars from the world’s most elite super and hyper car brands.

As an unconditional lover of Italian cars, I couldn’t help but notice the new Maserati Levante V8 Trofeo and GTS displayed on the lawn, ready to be taken for a spin. I am a big fan of the Maserati Levante, having had great times driving the Grand Lusso model, so it was with a lot of pleasure that I took the V8 Trofeo for a spin. Oh my! I had read this is one of the fastest SUVs ever made but wasn’t ready to experience going from 0-60mph in four seconds! I was told the car reaches a top speed of 186mph, but unfortunately, without access to a track, I couldn’t test that.

From left to right: Ferrari 365GTB, 1979 Maserati Khamsin, McLaren P1.

Next to catch my attention was the Battista by Automobili Pininfarina, a ‘made-to-order’ hypercar that will mark the 90th anniversary of the legendary Italian marque, which has its roots in the eponymous coach building company, responsible for some of the best automotive designs in history, such as the Ferrari F40 or the Peugeot 406 Coupé among many others. At just £2mill, only 150 lucky humans will be able to lay their hands on one of them. It claims to be the most powerful Italian car ever produced… tall claim!

In whatever direction you looked at Salon Privé, you found beauties on four wheels of all makes and age, most of which took my breath away.

It is not only beautiful cars that one finds at Salon Privé. The show is well known for attracting many a beautiful lady hoping to win the Boodles Best Hat competition on Ladies Day. This year’s winner was Marisa Devlin, with a head piece designed by Irish Milliner, Leonora Ferguson.

Marisa Devlin, winner of the Boodles Best Hat competition and Michael Wainwright from Boodles.

Tony Willis, one of the judges at this year’s show, pointed out that “The inclusion of Salon Privé in the Peninsular Concours Group has now ensured entrants a world class event with relevant judging, with judges attending from all over the world, and from this year, using the ICJAG system in place at Pebble Beach, the foremost Concours event.”

With 57 entries from all over the world, all the attention was focused on the announcement of the Concours d’Elégance Best of Show, won this year by an out-of-this-world 1948 Talbot Lago T26 GS Fastback Coupé with Figoni coachwork, entered by Robert and Petra Kudela. Commissioned in 1948 by a Mr. Fayolle, commonly known as the ‘Zipper King’ of France (hence the string of horizontal chrome strips above the main central headlamp), the Talbot-Lago made its public debut at the 1949 Paris Salon.

This flamboyant motor car was relocated to California in the late-1950s, where it spent almost 50 years in storage. The T26 returned to Europe in 2015 when a full restoration was undertaken to return the car to the precise specification ordered by M. Fayolle back in 1948.

Best of Show 2019: 1948 Talbot Lago T26 GS Fastback Coupé.

There were many other jewels on show, actually some of Mr Willis’s favourites included top Bentley’s and six 250SWB models, but as he said, “the sight of winner Robert Kudela and his joyous celebrating made 2019 the best yet. Roll on 2020!”

The runner-up was a Barker-bodied 1912 Rolls-Royce Silver Ghost owned by Katie Forrest and the People’s Choice prize went to an original 1930 Gurney Nutting-bodied Bentley 4.5 Litre Supercharged, owned by Anne Brockinton-Lee.

People’s Choice 1930 Bentley 4.5 Litre Supercharged Gurney Nutting owned by Anne Lee.

Dr Adolfo Orsi, Chief Judge at this year’s Concours d’Elégance commented about Salon Privé: “What else could one ask for? Fantastic setting, elegant and rare cars, friendly atmosphere, champagne… I really enjoy Salon Privé.

This year we introduced the ICJAG procedure for judging cars, based on authenticity and originality. It has been an honour to lead a group of the most knowledgeable judges in the world.”

Chief Judge Dr Adolfo Orsi with Mike Biscoe, GM Maserati UK

Salon Privé remains the UK’s only concours to organise a whole host of week-long activities. Tour Privé kicked off the automotive celebrations on Wednesday 4th September, followed by Salon Privé Concours on 5th, Salon Privé LIVE on 6th, Salon Privé Bentley Masters on 7th, finally rounding of the event with Salon Privé GT Tour and Salon Privé Classic & Supercar on Sunday 8th September.

For more information and details about this year’s show and winners of the different categories, please visit:  www.salonpriveconcours.com

by Jeremy Webb

Rebecca Jackson lives her life to the full in every aspect of her life and that hasn’t changed after becoming a mother. She is a businesswoman, racing driver and also a presenter, so one could say that Rebecca dons more heads than Worzel Gummidge.

I-M Intelligent Magazine caught up with Rebecca, who spoke to Jeremy Webb very quietly, while her six-month-old twins were sleeping.

Rebecca has achieved plenty in her life but she says the most rewarding thing she has ever done has been becoming a mother. That says a lot from a lady who has progressed from Novice Racer to driving a full LMP3 car at Le Mans. She is proud of her business and racing achievements but just listening to the joy in her voice when she speaks about her boy and girl, I get the feeling she is as happy tucking them in at night as she would be driving at Spa. During our chat, I got to know about how driven Rebecca is, so much so that she speed walks with her double pushchair to make sure it is a workout and not an amble. This streak was initially developed from her love of horse riding, then wanting to go faster she discovered cars. Speed is what she always desired.

I-M: Did you play with cars as a child?

R.J: Growing up, I was a bit of a tom boy. My dad loved his motor racing and cars. He took me to my first race at six weeks old so I have grown up around cars and seeing my dad working on them. I played with cars but also dolls and other girl’s toys.

I-M: When did you properly get into cars then?

R.J: My true passion growing up was horse riding and I did this until I was sixteen. Then cars took over as they are faster and I love speed.

I-M: What was your first car?   

R.J: I had a Peugeot 205 1.4 in Sapphire Blue.

I-M: Could you tell us about your journey into broadcasting?

R.J: I set out with the goal of becoming a presenter as I wanted to talk about cars. I obtained a degree in Business and set up a used-car service, where I would make Youtube films showing the vehicles. I was fortunate that Dennis Publishing saw these films and asked me to start working on Car Buyer, then, ITV came along and I got work on ITV 4. Since, I have presented several shows and I have some new ones in the development stage.

I-M: Best driving experience?

R.J: Driving down the Mulsanne straight at Le Mans in an LMP3 car.

I-M: Favourite car you have driven? 

R.J: This is very difficult to answer as I have been fortunate to drive many lovely cars. I would say though that, my Porsche 924 race car, which I first started racing in, could be my favourite.

I-M: Most desirable car?

R.J: Another tough question! Recently I have driven the Ferrari 488 Italia and it is gorgeous; the sound, the experience of top-down driving is hard to beat. Yes, I desire one.

I-M: Favourite circuit?

R.J: Alton park with its undulation, technical sections and fantastic treeline.

I-M: What is your favourite motoring event?

R.J: I have two as I can’t separate them. Goodwood Festival of Speed -driving up the hill is very special and the setting is lovely, and Le Mans because, well it is Le Mans.

I-M: What is next for you? 

R.J: Now the twins are six months old I am getting back into work. I have several projects lined up. I took three months out of work completely to spend time with the babies, turning off all social media and not even opening emails. I just wanted total immersion into motherhood. After the three months, I had a routine that included some time to look at other things. The future looks busy work-wise but I will always put the twins first. There will be some more ambassador work for the brands I am partnered with, some presenting and some racing, which I have missed very much. I am also starting a new business called “One Woman Owner” which will be aimed at women, helping them choose a car and all aspects of purchasing.

I-M: Are there any other sports that you would like to present?

R.J: Anything extreme and not conventional, such as Red Bull Soap Box racing or something along those lines.

I-M: And outside sport?  

R.J: I would love to do something in fashion as I am a girly girl at heart. I love to dress up and have my makeup and hair done. I am connected with Belstaff, which have produced lovely women´s garments over the last few years.

I-M: What do you do to relax?

R.J: I love to do yoga, I find it very therapeutic; it is also good to keep in shape, as is mountain biking, which I will get back into soon, as I love the speed going downhill. I love spending time with my children, I find it relaxing, and cuddling them is so very soothing. I regularly take them to the park, set out a picnic blanket and let them lie there, taking in nature. I like to go to spas and have a massage to relax and pamper myself. Another interest which relaxes me is Salsa dancing, as you have to focus on the moves and nothing else.

I enjoyed speaking to Rebecca and wish her all the best for the future which looks very busy and promising. The drive inside her will probably see her on Strictly Come Dancing, which she confesses is a dream of hers. I will be meeting up with her again when she returns to racing, doing some Hot Laps events.

www.rebeccaracer.com

by Lavinia Dickson-Robinson

For decades, Málaga was seen by the international community as little else than an airport on the way to Marbella and Puerto Banús. However, in the last 20 years, the city has experienced quite a metamorphosis, with the rehabilitation of the old town, which is now closed to traffic and the transformation of the old port into a modern marina, with another huge one for super yachts to be developed within the next few years.

Málaga is not just sun and beaches, but a city full of history, art and culture. It is the birth place of two of the most charismatic men of the 20th century: Pablo Picasso, one of the world’s greatest artists, and Antonio Banderas, who is probably the best known Spanish actor of the last 50 years.

Málaga has a strategic position in the coast of Andalucía, a gateway to the renowned provinces of Granada, with is extraordinary Alhambra, and Cádiz, founded by the Phoenicians more than 3,000 years ago. In the province of Málaga, you’ll be spoilt for choice of places to visit, among them, the caves of Nerja, where concerts are regularly held in one of its chambers, which forms a natural amphitheatre and the Roman remains in the archaeological site near the lighthouse in Torrox.

Málaga city itself has plenty to offer: from the Museo Picasso to the Alcazaba and the Cathedral, not to mention the plethora of top restaurants to choose from. A favourite of mine is the restaurant of Michelin star Chef José Carlos García. Perfectly set in Málaga’s stunning marina, the restaurant is perfect for al fresco dining. The food is simply delicious, each tiny dish tantalising and delighting your palate.

Málaga – Cathedral and Patio de los Naranjos.

I was particularly dazzled by a very original appetizer consisting of a little square of bitter dark chocolate filled with silky-smooth foie-gras. The fillet of sea bream was equally scrumptious, followed by the most tender veal presented with pan fried fois laid gently on top. This was total foodie heaven.
I had been invited by Metrovacesa and Sierra Blanca Estates for the presentation of one of the most avant-garde urban development projects on the Spanish Mediterranean coast, the Picasso Towers. This project is designed to revamp the western coastline of Málaga.

The towers are designed by the famous Lamela Estudio, the architects behind the celebrated Terminal 4 in Madrid’s airport, the Columbus towers in Madrid and the extension of the Santiago Bernabéu stadium to mention just a few of their outstanding works. As the first luxury development in the city of Málaga, the Picasso towers aim at creating a living space that inspires well-being and tranquillity, with particular attention to the light and the sea, two natural assets that enhance the design of the towers. Furthermore, each property is designed according to energy saving and sustainability standards. For example, all the properties have a dual orientation in order to guarantee natural ventilation and thus, minimise energy consumption on air conditioning.

Artist’s impression of the Picasso Towers.

This project is one more example of the incredible growth and improvement that Málaga has experienced under the direction of Mayor Francisco de la Torre, who has been at the steering wheel of the city for nearly 20 years, focusing on the internationalisation of the city, from a business and living point of view, positioning Málaga as a cultural and economic hub at European level. In fact, Málaga is part of the European innovation partnership on smart cities and communities (EIP-SCC), an initiative supported by the European Commission that brings together cities, industry, small business (SMEs), banks, research and others. It aims to improve urban life through more sustainable integrated solutions and addresses city-specific challenges from different policy areas such as energy, mobility and transport, and ICT.

Within this context, the Picasso Towers will create direct and indirect employment and encourage local economic growth, in an area of Málaga that was underdeveloped but full of potential, just 15 minutes from the Technology Park in one direction and the historic centre in the other. The Picasso Towers will lay their foundations in September this year. Who knows? If I start saving now, maybe I will be living there in the not too distant future.

www.metrovesca.com
www.promalaga.es
www.malagaturismo.com

In the last 40 years, we have become increasingly aware of the devastating effects that the sun can have on our skin, from pigmentation and wrinkles, to cancer. However, we all enjoy a bit of a tan, and lying on the sun is one of the most pleasurable activities that there is, not to mention absolutely necessary to generate vitamin D, which is involved in many metabolic processes, including our mood and the density of our bones.

So, is there a way to walk safely onto the sun? Leading European practitioner Dr Georges Roman, believes it is fundamental to act before exposing our skin to the sun, in order to protect it and not cause any further damage.

However, the market is full of sun creams and lotions which promise to protect our skin, activate our tan, safeguard marine life… how do we choose?

“You should go for a good brand,” explains Dr Roman, “if possible, medical instead of cosmetic (the kind of stuff you’ll find in pharmacies). When exposure to the sun is involved, medical products are safer than cosmetic brands and normally don’t include any activators that could cause reactions with the sun. For example La Roche Posay or Avène are good choices.”

Thinking of all that important vitamin D, Dr Roman adds, “for the face, the most important thing is protection. I’d recommend to use SPF 50 or total sunblock. However, we must remember to stimulate production of vitamin D, so for the body, if your skin is not too light and doesn’t burn easily, a SPF 30 would be enough.”

Another factor to consider is when to expose to the sun. We must avoid exposure between noon and 4 pm. During these hours, the sun rays fall perpendicular to the surface of the earth, making them penetrate much further into our skin. “If you are going to do this, then use total sun block in both face and body,” advices Dr Roman.

In addition, when looking after our skin in summer, we must look at hydration. “The sun not only burns our skin but dehydrates our whole body. We lose water, sodium, potassium… Basically, whatever we do in summer, if we expose ourselves to the sun, we will most likely suffer some damage.”

The best way to minimise this damage is to prepare in advance so the quality of our skin is the best that can be before going in the sun. In Dr Roman’s opinion, “the best way to do that is with two very good mesotherapy treatments, which will dramatically increase your capital of antioxidants and moisturisation. We could say that this is your army, which will fight for your skin when attacked by the sun. So, like with any army, at the end of the ‘summer war’, you will have lost ‘some soldiers’ but you would have saved your skin.”

Once summer is over (or the period of exposure to the sun), it is very important to eliminate the toxins accumulated over the summer period, correct possible sun damage and thus, restore your skin and even improve it. Again, Dr Roman recommends one or two very rich mesotherapy treatments.

“I recommend this pre and post mesotherapy treatment to all my clients and the results are extremely encouraging. The skin recovers very quickly and often without traces of any sun damage. Following these recommendations will allow you to enjoy the sun and at the same time, avoid skin damage,” estates Dr Roman.

There are lots of moisturising creams in the market with hyaluronic acid, but it has been commonly reported the development of significant pigmentation issues after the use of creams with hyaluronic acid when exposing to the sun, even if these creams have an SPF of up to 30. Dr Roman explains the problem: “It shouldn’t have to be that way if the preparations/creams are of high quality. Firs of all, hyaluronic acid provides your skin with a first ‘layer’ of hydration, but it is important that it is fully absorbed by the skin, because if it doesn’t, it can act for the sun like a magnifying glass on the top layer of your skin, and a deregulation of pigmentation will easily take place.

Hyaluronic acid is a ‘thick’ molecule so it is difficult to prepare in a cream/lotion that will be properly absorbed by the skin. Often, what happens is that it stays on top of the skin and moisturises only its top layers. Now, when it is properly absorbed, hyaluronic acid is fantastic because it provides the deeper layers of the skin with optimum hydration and even help with the reparation of cells.”

As an example, Dr Roman explains how one of his products works: “Our serum can be applied in the morning and in the evening, even when you are on holidays. You wait until the serum is properly absorbed (around 10 minutes) and then you can put on top your normal moisturising regime or sun block if you are going to expose to the sun. Other serums in the market that I think are good include those by Crème de la Mer, and La Prairie.

Generally speaking, I don’t like to mix things when going in the sun. As we expose our skin to the sun, ingredients in the products we have applied to it can react with the sun. Most cosmetic brands will add many different ingredients to what seems to be just a hyaluronic acid serum, and these reactions can mean damage to the skin, sometimes damage that is not visible at first glance. I work with a lot of clients in the Gulf and I have seen what can happen to skin when the wrong mixed of products is used, even if they are very expensive products. So our serum does just one thing: deeply moisturises the skin, and nothing else, so I can control the process. For example, if anyone uses a cream with vitamin C in it and goes in the sun, the effects can be pretty bad, causing quite a strong irritation and pigmentation issues.”

But, do we have to be so strict all year around? According to Dr Roman, not really. “In winter, it doesn’t really matter. You can mix products and chances are that your skin will be fine.”

The second product created under Dr Georges Roman’s own brand is a medical professional sun protector. Once again, he has used nothing else but the sun protection ingredients, in order to avoid allergies or any other unpleasant reactions. There are no suntan activators or anything else. As he says, “I am not interested in anything else. I just want a sun protector that is efficient and safe for my patients.”

TRIED AND TESTED:

La Roche-Posay Anthelios Shaka Ultra-light Fluid SPF 50+ for face and body: Formulated for normal to combination ski that is prone to sensitivity, sun intolerance or prickly-heat. Thanks to La Roche-Posay Thermal Spring water and other proprietory elements like [XL]-PROTECT™ and MEXOPLEX™, it helps prevent the appearance of sun-induced dark spots and irritation.

£16.50
www.laroche-posay.co.uk

 

Avène B-Protect SPF50+ for face: A 3-in-1 skin care protector, this tinted cream is anti-UV, anti-pollution and skin enhancing. With SunSitive® protection, Pre-Tocopheryl and Avène Thermal Spring Water, B-Protect gives high level sun and pollution protection whilst leaving skin looking radiant and bright. Thanks to the microencapsulated pigments which are released upon contact with skin, B-Protect enhances skin tone and adds a subtle hint of colour. £13

 

Avène High Protection Spray SPF30: Specially formulated for sensitive and very fair skin, Avène’s High Protection Spray gives broad spectrum UV protection; keeping skin safe from both UVA and UVB rays. Long lasting and water resistant.

£19
www.avene.co.uk

Hyaluronic Serum +B5. Advance Hydration Technology by Dr Georges Roman Skincare:  Light and hydrating serum, with highly active low molecular weight hyaluronic acid, with boosting anti-aging properties.  It improves epidermal and cell renewal and helps to increase glycosaminoglycans synthesis, epidermal elasticity, turgor and moisture. Light and hydrating serum, with evanescent texture. Our Editor swears by it.

www.drgeorgesroman.com

 

Sun protection SPF30 cream by Dr Georges Roman Skincare:
A moisturising skin protector, SPF 30, formulated to professional strength.

www.drgeorgesroman.com

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