The artistry will be glittering at the second edition of the Dance Reflections by Van Cleef & Arpels Festival, which runs in London from 12th March to 8th April at the Royal Ballet and Opera, Sadler’s Wells, South Bank Centre and Tate Modern.
Following on from the hugely successful inaugural event in 2022, this iteration of the festival created in partnership with the world-famous French luxury jewellery company features 15 dazzling shows from a whole gamut of different cultures.
Taking place at iconic venues in our capital city, Dance Reflections showcases artists who, in the words of Catherine Renier, President & CEO of Van Cleef & Arpels, have specialised in, “Collaborations with prestigious partners, contributions to major choreographic events, support for emerging and touring artists… These various commitments, in keeping with the values of creation, transmission and education dear to the Maison, all meet the same objective of celebrating contemporary choreographic art.”
Including repertory works, dance workshops, artist forums and awareness-raising initiatives, all emphasising the connections between dance heritage and modern choreography, the festival highlights imaginative ways in which dancers have evolved exciting new…
A tribute to the work of one of the fundamental figures of French Modernist painting
After three years in the making, the Amar Gallery is bringing to London Hélène de Beauvoir: The Woman Destroyed, a unique exhibition featuring paintings and works on paper from the 1950s to 1980s by this French artist, crucial to the feminist movement. Often overshadowed in the past by her older sister, Simone – the groundbreaking […]
Despite being separated in time by nearly 200 years, Sigmar Polke felt a deep admiration for Francisco de Goya. The show at Museo del Prado, Sigmar Polke. Affinities Revealed, explores how the Spanish master influenced the work of the German painter, after he saw for the first time Goya’s Time and the Old Women in […]
A History of Fashion, Design & Art By Ornella Cirillo PhD Pulished by SKIRA, £55
A beautiful new album chronicling 65 years of “Made in Italy” excellence.
Established in 1952 in Naples, the Valentino brand is a leading name in leather and a legendary manufacturer of shoes, accessories and clothing. Now, a new book from Skira Editore recounts the Valentino story, from the early 1900s, when Mario’s father Vincenzo made shoes praised by the Savoys, through the end of the century, when top models contributed to the brand’s renown and photographers like Robert Mapplethorpe and Helmut Newton cemented Mario Valentino’s reputation and design philosophy as a true form of art.
This luxurious book catalogues Valentino’s rise from a small shop in the heart of Naples to one of fashion’s most well-known names. Alongside some 200 colour illustrations, the book presents precious documents collected in Valentino’s archives as well as vivid descriptions of some of the most important moments in fashion history. Mario Valentino offers an extraordinary adventure and the recognition of the impact of Naples and Italy on the designer’s work as well as his continued influence on fashion and design today. In the words of its author, Dr Ornella Cirillo, “We cannot speak of just the influence of Mario Valentino in the world of fashion, but of the continuity of his firm in the Made in Italy global label. I believe this book can give a correct identity to this Italian historical brand.” Ornella Cirillo PhD, is adjunct professor of Contemporary Fashion History, and a researcher at the Università della Campania “Luigi Vanvitelli.”
When asked about drove her to undertake such a project, she answered, “My principle objective was to return to Mario Valentino the value of his appointment beginning from Naples, considered a marginal city in the field of the fashion. The number of documents discovered and the collaborations with artists (Rubartelli, Eula, Lopez, Alvedon Newton…) and stylists (Muriel Grateau, Paco Rabanne, Karl Lagerfeld, Giorgio Armani, Gianni Versace, Claude Montana…) of tall merit proved that actually, Naples was at the heart of international fashion!”
Dr Cirillo continued,
“In the years that researches have written about the history of Italian fashion, Naples has always been neglected. I work and I write to restore to the credit that is owed to Neapolitan creatives.”
As they say, it takes a long time to be an overnight success and Tokio Myers is no different. Winning Britain’s Got Talent in 2017 changed his life, but it is not as if he had just started his career in music.
Born Torville Jones in 1984, he grew up listening to his Jamaican father’s record collection; then, taking up piano as a child, he fell in love with classical music. As a teen, he fell in love with electronic dance music. Upon leaving school, he won a full scholarship to the prestigious Royal College of Music.
He toured with Amy Winehouse, who encouraged him to pursue a music career. Tokio worked as a session keyboardist for several years, but became disillusioned and quit the industry. He set up a studio and began to make his own music with little regard for genre boundaries, fusing classical, pop, and dance. After winning Britain’s Got Talent in 2017, he released many of his independent releases and became a major internet sensation.
Signed to a joint deal between Simon Cowell’s Syco Music and BMG, he co-wrote and produced his debut album with film composer Guy Farley. Titled Our Generation and released in November 2017, it debuted at number four on the official U.K. album chart.
I-M: Your version of Jerusalem was used as England’s Commonwealth Games anthem – how do you go about recording a version of such an iconic anthem?
T.M: As you say, it’s a challenge making your own version of such a well known and loved anthem. I think you’ve just got to imagine what the recording will be used for and use that to guide the direction you’d like to take the track. With the help of the very talented Jazmin Sawyers and a 70-piece orchestra I think we managed to create a rousing track that still stays true to the original with a contemporary twist.
I-M: A lot of people felt you winning BGT in 2017 was a breath of fresh air given the multitude of talent shows on UK TV and the questionable talent in them. How has your life change in this last year?
T.M: Looking back less than a year on from Britain’s Got Talent, I never imagined I’d be in the position I’m in now. I never went on the show to win. Since then I’ve done a lot of amazing things, basically living the dream, it’s been incredible and it doesn’t seem like it’s going to stop and I don’t want it to.Back then, to think that within a year
Back then, to think that within a year I would have released my debut album and be embarking on a 20-Show UK & Ireland Tour would have been in my wildest dreams. I have played in some awesome spaces, met some amazing people and really look forward to the future. I am working on album 2 and also planning a second tour for later this year or early next.
I-M: The sound you have created on your album is quite unique. Who would you say were the two to three key influences on you when you were learning your trade, and given your uniqueness, who do you see as your natural audience?
T.M: There have been so many people along the way that have influenced me both as a person and musically. My father owned a large record collection which included a range of music from the Beatles to Jamaican Reggae. From an early age I would sift through his collection picking out my favourite tracks. This exposed me to a variety of music from the start. Mr Morgan, my piano teacher at high school, also lay the foundations for where I am today by teaching me traditional classical piano. After leaving the Royal College of Music, I DJ’d to earn money. My love of electronic music really came to life in that time. In that period I played keys for Mr Hudson & The Library, where I was allowed to be experimental and practice my own take on the piano parts of the tracks we played. It would be very hard to bracket my natural audience because I incorporate so many styles and genres. It’s powerful and humbling to see the young appreciating more traditional styles of music and the older ‘vibing’ to some of the more hard-hitting tracks!
I-M: You won a scholarship to the Royal College of Music. That must have been a huge culture shock for you. How did the experience help you develop into the artist you’ve become and were you considered too avant-garde by the professors?
T.M: It was an awesome culture shock. I was surrounded by some of the country’s most talented young musicians, and taught by some of the most sought after teachers – no complaints there! The Royal College of Music is right opposite the Royal Albert Hall which to perform in is pretty high on the ambitions list of most aspiring musicians.
I really enjoyed playing there earlier this month for Classic FM Live accompanied by the Royal Liverpool Philharmonic Orchestra. The feeling was awesome! I think the professors and I found some synergy, as to be avant-garde you need to have also learned the foundations of most piano styles, which they definitely gave me. With these foundations in place, it gives me that extra bit of freedom to be creative when writing/producing new tracks, be it classical or cinematic/electronic.
I-M: You’ve already supported some of the world’s biggest artists – who would you really like to collaborate with, and what plans do you have to play live this year? What’s next for you?
T.M: We’ve got some big plans for ‘collabs’ this year. I can’t wait. Festival season is coming up. I’ve got some really exciting gigs this year. I’m off to the Isle of Wight Festival in June; I’ve heard great things! The summer months will also involve being in the studio to work on my second album, so I’m keeping my head down and pushing onwards!
Sophie suffered serious health problems at birth, which included cerebral palsy and a heart attack. At six years of age, she started to ride for rehabilitation reasons. The youngest British competitor ever at Paralympics games, Sophie first took part in the 2004 Summer Paralympics, and came home with a fourth and a bronze; she was named BBC London Disabled Athlete of the Year.
By 2016, she had four successful Paralympics under her belt and had become Britain’s first triple gold medallist at the Paralympic games. She was appointed MBE in the 2009 New Year Honours for services to disabled sport and OBE in the 2013 New Year Honours for services to equestrianism; in 2017 she was appointed CBE for services to para-equestrian. In 2015 Christiansen won a ‘Women of the Future Award’. It was the first year that a sports category was included and the judges picked out Sophie for her ‘ferocious determination to succeed’.
When she is not winning medals somewhere, Sophie works as a statistical analyst in the technology department at investment bank Goldman Sachs and has a first class Masters degree in mathematics. Dressage rider and trainer Linnea Aarflot paid Sophie a visit to catch up with this magnificent young woman.
L: How come you choose horse riding as your form of rehabilitation or physiotherapy?
S: I started riding when I was 6, to help with my disabilities. I fell totally in love with riding. It was either riding or doing boring physio in the gym to help me balance so the choice was obvious. My coordination isn’t the best and when you ride you really have to do this, to balance your body. When I ride I have to improve balance without having to focus on it. I can focus on the horse instead; that’s much more fun!
I don’t think I would’ve got in contact with horses at all otherwise as I don’t come from a horsey home. My mom is even allergic to them! Horses are really amazing animals; they have a very strong intuition so they know what I want and what I mean even if my body isn’t always doing it right. They seem to want to look after me. The horse I rode for the London Olympics used to be a cheeky monkey with other riders, but with me he always looked after me.
He knew I don’t have as much strength as an able body rider. An able body rider would push him, but with me he would just do it because he wanted to. I love him. I think every horse wants to perform, but not every horse will cope with the sport an able rider want to do.
L: You are an inspiration with your determination, proving nothing can stop you. Where do you think that determination comes from?
S: I think it helped when it got more public to compete as a para-rider. When I saw Thompson competing in the 2000 Paralympics I decided I wanted to do that. I was always rubbish at the other sports because I competed with able body riders. So when I saw the para-riders I felt I could actually be competitive, and decided I wanted to do it. And always when someone says I can’t do something, I decide I really want to do it. Also, every day is a battle with a disability so you sort of get used to being a fighter all the time.
L: What has been the hardest obstacle in your career so far?
S: The build up to a Games is the toughest. And I always find every new Games harder. But I think when it gets tough it makes you work even harder.
L: What has been the top highlight or your sport career so far?
S: Winning Gold at London. It was just amazing to be at the home Games, in front of thousands of people and on my favourite horse.
L: One could say you have already achieved the impossible. Do you have any new goals? Or what current goal or project excites you the most?
S: My next aim is Tokyo. I had a break after Rio and was really thinking about what I wanted to do. Last year was challenging for me. I could be earning more money if I worked at Goldman so I needed to make sure that going for another Olympic Games was the right decision. But I’m an athlete. I like the highs and lows, so I decided I wanted to continue. However, I changed the team. Next year is the World Equestrian Games and I’ll bring Harry which will give him good experience ahead of Tokyo. I also really want to find sponsors who will make competing a bit easier and less of a sacrifice.
…you have highs and lows, but it’s all about the fun. Because if it’s not fun then why would you do it?
L: Do you train your body outside of the horse riding?
S: I think that is really important; especially with my disability. So the fitter I am the longer I can ride for so I go to the gym regularly and do a lot of core work. Because that’s how you direct the horse. I love cycling as well, just outside. I have a three wheel bike so I can do it.
L: What do you take with you from 4 successful Paralympics?
S: All the way through you have highs and lows, but it’s all about the fun. Because if it’s not fun then why would you do it? If you want to win gold, it is going to be tough so always remember why you started.
L: Leadership is a great topic in equestrianism. How do you practice being a great leader for those big animals?
S: I had a spooky horse so anything she didn’t really know she would spook at, so I had to be confident for her knowing what I wanted. That way she knew I was there for her. Then she started to listen. I’m now also leading my team, I have a massive support team around me. My carer, coach, home yard manager, farrier… it takes a village and team work! And I think they need to feel I’m confident and that I know what I want.
L: How do you set up your life in order to reach your goals? How do you choose team, horse, and routines?
S: After Rio, I didn’t have the right team around me. One member had been around always and thought they knew what was best. But it was wrong. That member hindered me from performing, so when we came back I was very stressed. I understood I had to change. It was really hard for me because I had been with these people and yard for a long time. But I new I had to bring the fun back! It’s so much pressure it has to be fun.
People think it’s just easy to go out and win, but it comes with a lot of pressure. I found a new team and a new horse. My new coach isn’t that experience but he has the ability to learn and soak in all info from others to help me improve. I know myself very well now; I just need someone who’s going to make it fun again and isn’t afraid to turn me off and kick me back up when I need it.
My new horse now really has a great walk, which I’m depending on, and a great temperament. A lot of horses get confident from their rider, but because I can’t always give them that he needs to have confident in himself.
L: Where do you find your inspiration? Do you have an idol?
Ever since I grew up it’s been Thompson. She was around when the Paralympics were totally unknown. She was the pioneer and made it more mainstream. She also went into politics which I admire a lot. She’s a great fighter for para rights. I’m quite outspoken about this. People think I’m all set and done because of my career, but I think there is so much more to improve for any disabled.
To be able to be employed makes me more normal than just being an athlete. I work 2 days a week. I’m an analyst in the Goldman non-tech department. It balances my life as a high profile athlete. When I go to work I’m just a regular employee and it takes the pressure off. I think you perform better without pressure getting to you too much.
L: What do you think is the reason for your continued success? How do you stay on top under all that pressure?
I think I’m able to take information from different people and work out a formula that works for me -my coach, mentor, carer, judges. I take a lot of guidance from different judges and turn all that into a guideline that suits me. And I think I have great self-awareness. I know when I need to pick myself up again, and I know when I perform at my peak.
Riding different horses keeps you focused. Every different Para I’ve had new horses so it makes it different every time, and that keeps me interested. I have to figure out what that individual horse needs. I think I’d be bored otherwise.
Psychology also works really well for me. Before the performance I split up my days in a detailed schedule. I work down to the last minute. So I focus on the next thing instead of the competition. The last thing I do is visualisation. 30 minutes before going out, I’m preparing in my head what I’ll be doing, down to every aid I’m giving the horse at what time in the test. Just before
I get on I get most nervous and to get around it I get my carer to tell me jokes. It works! I forget the nerves when I laugh.
Sophie Christiansen was interviewed by Linnea Aarflot, a Swedish dressage rider and trainer based in East Sussex, UK. As well as running her own dressage stable & competing professionally she also runs the award-winning equestrian lifestyle blog THE EQUESTRIAN.
Hazel Hurley’s photography is enigmatic and provocative. It makes you smile and it makes you think, and in occasions, it makes you cringe. At just 22 years of age, Hazel has already participated in a variety of exhibitions including shows at Henley Festival, Café Royal and Freud Bar… Hazel Hurley is an artist who knows who she is and perfectly reflects in her art the young culture of the times we live in. In this interview, we explore with Hazel the sources of her inspiration and the experiences that have contributed to shaping her style and her skill.
I-M: Tell us a bit about yourself please Hazel.
H.H: I am a fashion and fine art photographer from London. My fine art photography stemmed from my recent graduation from Goldsmiths University and the creative support from my agency, Beautiful Crime. My photography captures through my own unique imagination, themes of youth, femininity, and trauma. I question and explore different perspectives of the female body, including that of the male gaze and also how women view other women. Additionally I use natural surroundings as well as man-made materials to enhance or distort how the body is seen and viewed.
I-M: How and when did you become interested in art?
H.H: From as long as I can remember I have always had a heavy interest in art. I have vivid memories of being a child and making my parents take me to any exhibition that I found out about. Both of my parents are very artistic but still… they had to tell me off all the time for drawing on the walls or taking pictures on my dad’s camera; so you could say I was born into art! At present, my interest in different varieties of art has expanded due to being part of the Creatives at Beautiful Crime agency. They have enabled me to become interested in aspects of art that I didn’t know even existed.
I-M: Who and what has influenced you?
H.H: There are many different influences on my photography, especially coming from other artists such as Tyler Shields and Jessica Kobessi. Additionally, I find that everything influences my work: things I see on the news, on my social media and even when I’m sitting in a café having a coffee. Instagram for example allows me to play on the method of insta ready, the false projection of something which is perfect but is, in fact, imperfect. Another influence for me is the female form. It isn’t just a perception of sexual pleasure or submission, but about females being empowered and strong, enjoying their own power and not being overpowered by others, in particular by men.
I-M: Have there been any moments in your life that you feel have marked your career as an artist?
H.H: A big event for me as an artist was exhibiting at Henley festival with Beautiful Crime. I always loved looking at the installations and exhibitions there so being part of one felt like a dream come true. Another experience that I feel has marked me as an artist was travelling around the world with the Fashion Weeks, in particular New York. It allowed me to meet other artists both in my field and in other disciplines. The people I met were inspiring and pushed my work to be even more creative; and gave me experiences that I could turn into art forms.
I-M: Could you explain the transition from your first book of images to the last one? The first one was, in my view, very politically charged, thought-provoking and controversial, whilst the last one is, or seems to be fully devoted to fashion.
H.H: The transition from my first book Hazel Hurley, to my next book, Memento, followed the change in my life after leaving University, when I became a full-time artist. At University I majored in Photography and Minored in Politics; therefore my inspiration heavily lay in topics I was studying and what was going on in the world at the time. When I left university I travelled a lot for my work and I met many inspiring people who have taught me new skills in photography. I showcased these skills on the go with fashion street looks.
I-M: Do you feel you have a clear trajectory for your art? Where do you see yourself in 10 years time?
H.H: Actually I do feel I have a clear trajectory for my art. At the beginning of each year and month I sit down and set goals I want to achieve by the end of that period. This discipline not only helps to motivate me but also helps me to see how well I have done in my journey into art. So far, I am on track to achieving what I want to this year! In 10 years time I hope to be still creating topical subjects in my art which are thought-provoking for the viewers; and in my fashion work I hope to be shooting for magazine covers like Paper.
London based British designer Alexandra Llewellyn fell in love with backgammon as a child in Cairo. The rattle of dice on large wooden crate-boards signalled the game in play, as she strolled through the streets with her Egyptian step-grandfather. As she travelled more, her interest in backgammon evolved and she became enthralled by the idea that board games can bring all sorts of people together, since they require neither common language nor culture.
After years of studying and training, finally she opened her Design Studio in 2010, in which she creates backgammon boards and custom-made games tables and games, all made in the UK and all of which can be personalised or bespoke commissioned. Alexandra’s designs are owned by clients such as Sir Richard Branson, Elle Macpherson, Jacquetta Wheeler, Mark Ronson, Paloma Faith… and even Royalty!
I-M: Alexandra, please tell us about your journey, which have been the experiences and influences that have shape you as an artist?
A.Ll: I have made things all my life and have been lucky to have grown up with an appreciation of beautiful things – my mother is a clothes designer and my father a garden designer. Both have amazing taste and we were always encouraged to look and to appreciate. In the same vein, we are a close family and games featured a lot when we were growing up. Backgammon was one of many games we played.
My grandmother was an artist with sketch books full of studies of mouths, noses and eyes, which fascinated us as children. Her pencil sketches are what first attracted me about making something from nothing, creating drawings from lines on a white page.
I-M: Were you one of those kids always building things? Any cornerstone moments growing up?
A.Ll: As a child I collected a treasure trove of lost and found objects to make things with. My mother referred to it as my junk pile but to me it was better than any toy. I loved creating models with what others considered to be rubbish. Similarly, I loved to draw with charcoal I made in the fire, or make portraits out of my mother’s lip liner.
At school, I lived in the art department, but also loved science. An amazing moment for me was when Terence Conran wanted to buy one of my paintings from my A-level show. Straight after school I went to art school where my practice became more conceptual, but the work was always about the act of making and also the viewer’s interaction with art.
I-M: When did you start making game boards?
A.Ll: I started making backgammon boards, amongst many other things, when I left university. The first was a present for a friend’s family for taking me on holiday. I then moved to Spain where I worked with a centre for adults with learning disabilities. I employed them to make the boxes, and I hand-painted the interiors. Each one was different and I took them all to London for a two-night sale – I sold nearly 30 in one go. The seed was sown. I moved back to the UK to work in product development with a London company, and it is there that I met many of the craftsmen and women and workshops I work with today. We did everything: table top, silver, fine jewellery, rugs and leather. It was a baptism of fire, and my plan to start my own design business began to take shape – working with master craftsmen and beautiful materials to create games that brought people together. The games also became vehicles with which I could use different techniques, designs and materials. I now use a lot of marquetry and printed and inlaid leather. I also hand paint and print pieces, use metals, and semiprecious stones and glass.
I-M: Why such a focus on backgammon?
A.Ll: My step-grandfather was Egyptian so as a child we visited Cairo often. I will always remember the thrill of playing with men 10 times my age with whom I shared no language, no culture and no references, but we still communicated through a game of backgammon, and there was a lot of laughter. That absolutely still feeds what I do. I love creating beautiful objects that are also games; they draw people in to play and talk and to be with each other. They are conversation pieces. My other great passion is cooking – for exactly the same reason, to bring people together, and to create a unifying shared experience.
We sometimes joke in the studio about creating world peace through backgammon – pitching two warring countries and sitting them down to get to know each other over a game of backgammon. Referring to games Plato said, “You can discover more about a person in an hour of play than in a year of conversation”. In the same way games allow people to communicate, and in these crazy times we live in, they create time -the greatest luxury of my generation.
When I began to make my backgammon boards I never dreamt of where they would take me. I really love to travel and find much inspiration in meeting people from all over the world. My work has taken me to places like Afghanistan, where we worked with incredible craftsmen and women developing a design for the charity Turquoise Mountain.
Recently, Jumby Bay Island flew me to their Caribbean paradise to find inspiration to design for them games tables and backgammon boards. Once I got there, I realised why they did; it was such a special place that I would have never otherwise understood. Oh! And I learnt about the incredible African game Wari. More recently I was in Las Vegas launching my new Poker set…I am still digesting my time there.
I-M: Is your mindset very different when you are creating one of your collections from when you are working on a bespoke project?
A.Ll: My love of my work has turned into more than just making games, and through my bespoke commissions I have learnt that I love creating truly unique pieces and more specifically, gifts that are imbued with thoughtfulness and love, and tell a story. The kick for me is not just the process of making and designing, it is also the thought of my clients giving my designs as presents once they are made. Imagine receiving something that your friend or loved one has put so much thought, time and care into.
I have 12 signature designs that I repeat and sell through our website and in Harrods and The Conran Shop. We sell backgammon boards all over the world but my biggest market is America. Over half of the work I do is now bespoke. One of the most amazing commissions I have done was for a 50th wedding anniversary – I was sent 50 years worth of love letters to interpret into a backgammon board. We inlaid marquetry postage stamps from where the letters had been sent to, rendered lines of the letters in marquetry on the board, and created a secret playing piece that unscrewed revealing a lipstick kiss from one of the letters.
I still get goose-bumps thinking about it. Many of the boards I do contain visual biographies of the client’s life. It is such an honour to be able to delve into so many parts of the world and so many different experiences with every design. Another amazing commission was to commemorate the client discovering of a mutation in a protein that caused terminal illness in children, for which his wife had amazingly found a cure! They were an extraordinary couple.
I-M: What have been your most recent projects?
A.Ll: I recently launched a backgammon board with never before seen photographs of Marilyn Monroe – I was approached by the photographer’s estate, which is a huge honour. A few months ago, I made my first poker box – which I created as a limited edition, and of which we are already making bespoke versions. It’s another great game that brings family and friends together but with the added dimension of bluffing and deception.
I’m really proud of my circular backgammon and chess table. I had a Eureka moment when I realised that actually backgammon is a circular game, but for thousands of years it has been played on a square board. It takes just a couple of games to get your head around it, and then it is far more logical than playing the traditional square version.
I-M: Where is Alexandra Llewellyn going next?
A.Ll: Re-launching our website is taking a lot of effort and time, but we really want to tell our story properly, so this is a priority. At the same time, I want to continue telling people’s stories through games and furniture unique to the client. Actually, I am working on a new series of leather travel games and I am starting to make other pieces of furniture such as architectural inspired tables, and pieces that involve highly detailed marquetry with more contemporary imagery. In the same vein I would like to start making treasure boxes that tell the story of the contents – whether it be a beautiful artefact, or simply a paint pigment. The box tells the story of its contents, but it all is also an experience to open and explore.
2018 celebrates the 100th anniversary of women earning the vote in Britain. We have a female PM in Britain and a female First Minister in Scotland. Female athletes are bringing to the UK more medals than ever; more and more women are climbing through the ranks of the corporate world and more female artists are being recognised. It is an amazing time to be a woman.
At I-M, we want to recognise the success and worth of women in Britain, and thus we are proud to launch the 1st edition of the I-M Formidable Women Awards, which will take place in London on October 9th.
The 8 categories aim at reflecting the fields in which women are reaching the highest achievements. These categories are:
Entrepreneurial Award Inclusion and Diversity Award Young Talent Award Artist of the Year Award Inspiring personality Award Conservation and Sustainability Award Philanthropy Award Life Achievement Award
Our Finalists
ENTREPRENEURIAL AWARD
Nadja Swarovski: Aged just 25, Nadja joined the 100 year old family business and changed it forever. In the last 22 years she has brought Swarovski to the very top of fashion and contemporary design, launching many an illustrious career in the process, like that of Alexander McQueen or Hussein Chalayan.
Karen Adler: After 20 years in the film industry, in 2015 Karen joined the 4th generation of Adlers working in the jewellery family business. Her passion and creativity, have been instrumental in taking the brand to the next level of global success, together with her cousin Allen Adler and his wife Daisy Adler.
Maria Hatzistefanis: Maria says that getting fired for her banking job at the age of 25 was the best thing that ever happened to her. A couple of years later she had founded Rodial, a cosmetic business that today is worth £100million, and she did it all without a single penny from investors.
Carolanne Minashi: As Global Head of Diversity & Inclusion at UBS, Carolanne is focused on fixing the system rather than fixing the women. She has been driving a cultural change agenda to have a greater number of Women in Senior Leadership roles. She is a member of the Women’s Leadership Board at the Women and Public Policy unit at Harvard Kennedy School, a Chartered Fellow of the British Chartered Institute for Personnel and Development.
Justine Waddell: As Director of Kino Klassika, Justine helps develop shared expertise between archivists and curators in the UK and Russia and Eastern Europe, building relationships with fundraising bodies and sponsors and encouraging people who love cinema, literature, music, and language from the arts and business communities in the UK, Russia and CIS, to share their cultural knowledge at events.
Hager Jemel PhD: Hager is an Associate Professor of Management at EDHEC and Director of EDHEC Open, Leadership Innovation Centre for Diversity & Inclusion. She has been Director of the Pre-Master Year for the EDHEC Master in Management since June 1st 2017. She holds a Doctorate in Management Sciences from Institut d’Ad- ministration des Entreprises de Lille. She has 13 years of experience in Management lecturing and research, and commands strong expertise in the CSR and diversity fields.
Eve de Haan: Eve has a degree in Theology and has explored many fields of creativity. She has been influenced by Tracey Emin, David Shrigley and Martin Creed amongst others. Her collection of neon artwork for her brand ‘Half a Roast Chicken’ reflects her love of the written word. Eve finds neon a perfect medium to accentuate how there are gradients and shades of meaning within a statement. Her work reflects on the imposing nature of technology on youth culture today.
Kim Vanessa Kortlepel: She is not even 25 and Kim has already graduated in Law, completed a Masters in International Public Law and founded her own jewellery brand, KVK73. Her designs are fresh and colourful, inspired by her family and her experiences from her childhood days. Kim is a talented designer, driven and determined, and believes in never giving up.
Hazel Hurley: Her photography is enigmatic and provocative. It makes you smile and it makes you think, and in occasions, it makes you cringe. At just 22 years of age, Hazel has already participated in a variety of exhibitions including shows at Henley Festival, Café Royal and Freud Bar… Hazel Hurley is an artist who knows who she is and perfectly reflects in her art the young culture of the times we live in.
Beth Cullen-Kerridge: Beth is a celebrated sculptor who has firmly established her singular vision upon the contemporary art scene. She honed her craft producing works for Edwardo Paolozzi, Elisabeth Frink and Alberto Giacometti, before becoming a studio assistant for Mike Bolus and Sir Antony Caro. She has worked on projects with Sir Norman Foster on the Millennium Bridge, Richard Rodgers at The Tate, and a number of shows at the Venice Biennale. Her recent 16-foot-high Carrera ‘Dhow Sail’ marble sculpture installation for Dubai Opera received worldwide critical acclaim and in November 2017 Beth was awarded the ‘Global art prize for sculpture’.
Alexandra Llewellyn: After years of studying and training, Alexandra opened her Design Studio in 2010, in which she creates custom-made games tables and boards, all made in the UK and all of which can be personalised or bespoke commissioned. Alexandra’s designs are owned by clients such as Sir Richard Branson, Elle Macpherson, Mark Ronson, Paloma Faith… and even Royalty! She fell in love with backgammon as a child in Cairo… as she strolled through the streets with her step-grandfather.
Day-z: Enigmatic urban artist Day-z combines techniques learned from the Masters with current culture to create a signature style that fuses street and fine art. Some of Day-z’s more mischievous antics include sticking up pieces on the Tate Modern and taking on parking wardens with her celebrated ‘parking ticket’ sticker. Day-Z had a hugely successful first solo show in 2017 selling the vast majority of all of her original works and prints.
Dame Jessica Ennis-Hill: In her 20 years career as an athlete, Jessica became one of the UK’s most successful track and field sports personalities in our history. Now retired and mum of two, Jessica continues inspiring girls up and down the country with her work as Ambassador of the Sheffield Children’s Hospital, the Weston Park Hospital, Comic and Sport Relief and Fashion Targets Breast Cancer.
Kamin Mohammadi: Kamin Mohammadi is an author, journalist, broadcaster and public speaker. Born in Iran, she and her family moved to the UK during the 1979 Iranian Revolution. Her journalism has been nominated for an Amnesty Human Rights in Journalism award in the UK, and for a National Magazine Award by the American Society of Magazine Editors in the US. She has authored two books and has spoken on Iranian issues at universities, conferences and peace events. An avid commentator, she has appeared on many radio programmes in the Uk and abroad, taken part in the BBC television documentary Iranian Enough? and helped to write and co-present the BBC World Service’s three-part radio documentary Children of The Revolution.
Sophie Christiansen: Born with cerebral palsy, at 6 years of age Sophie started to ride for rehabilitation reasons. By 2016, She had 4 successful Paralympics under her belt and had become Britain’s first triple gold medallist at the Paralympic Games. She has received an MBE and OBE and in 2015 won a Women of the Future Award for her ‘ferocious determination to succeed’.
Inger Andersen: As Director General IUCN, Inger brings passion for conservation and sustainability with more than 30 years of experience in international development economics, environmental sustainability and policy-making, as well as in designing and implementing projects and generating on-the-ground impact. She has played a key role in supporting riparian countries on international water management and hydro-diplomacy. Prior to joining IUCN, she held various leadership roles at the World Bank and at United Nations.
Dr Vreni Häussermann: As as a marine zoologist, Vreni has spent the last 20 years of her life studying the biodiversity of the Chilean Patagonia aiming at its sustainable use and conservation. Since 2003, she is the Scientific Director of the Huinay Scientific Field Station in Patagonia. Part of Dr. Häussermann’s vast amount of work is to advise both NGOs and the Chilean government on matters of conservation and marine resource management.
Caroline Scheufele: Caroline joined the family business, Chopard, straight after finishing her studies. She brought change and innovation, which in the last years culminated in making Chopard the most sustainable jewellery brand in the world, working with the Alliance for Responsible Mining (ARM), using only Fairmined certified ethically sourced gold as well as sustainably sourced opals and emeralds. She founded the Green Carpet Challenge as a benchmark against which brands can measure themselves, showing a commitment to ethical social and environmental behaviour in the workplace and through supply chains.
Olga Murray: Olga founded the Nepal Youth Foundation in 1990 to help impoverished children in Nepal and free young girls from slavery. Over the decades, she has helped hundreds of thousands of children and raised millions for new schools, nutritional centres and feeding clinics. Her work is globally recognised; even Ophra Winfrey made a tv show about her!
Suzanne Ruggles: Suzanne founded Full Circle Fund Therapies with the goal to preserve the human spirit by providing a compassionate, professional and supportive care for people living with a life-threatening condition and its medical treatment. Since its inception in 2000, they have helped over 7,000 people, most of whom are battling cancer and genetic conditions such as Sickle Cell Disease.
Lise Pape: Straight after graduation, Lise immersed herself in a project that is changing the lives of thousands of people in the UK. She founded Walk With Path in 2014, to create products like Path Finder and Path Feel which help improve balance and make walking easier for sufferers of conditions as devastating as Parkinson’s and Multiple Sclerosis.
Christiana Longarini: Christiana is a sensible, sensitive, family oriented woman with a highly developed sense of ethics, solidarity and welfare. Known professionally for her innovative and creative approach to business, she was called to run the VSY shipyard which she transformed in a very short time into an ethical construction specialist, leading the sustainability argument in the yacht building industry.
Koo Stark: Koo Stark is a writer, teacher, actress and most importantly, a photographer. She is also a long-time student of HH the Dalai Lama, whose friendship and teachings gave Koo the insight to meditate on the potential of capturing the beauty of life through photography and using the medium as a means of non-verbal communication. Harassed by paparazzi for many years, she initiated legal actions that would end up in the creation of the law on privacy in this country.
Harriet Harman MP: She is the longest-serving female MP (since 1982) and has been politics’ most prominent champion for women’s rights, introducing the National Childcare Strategy, All Women Shortlists, the Equality Act and changing the law on domestic violence.
In the heart of the city of Nîmes, opposite the famous 2000-year-old arenas, this museum is one of France’s biggest contemporary architectural and cultural projects. Built as an initiative of the Mayor of Nîmes, it presents the city’s extraordinary archaeological collections with an emphasis on the influence of ancient constructions on the development of Nîmes.
Designed by Elizabeth de Portzamparc, the building echoes the history of the city with its façade, draped like a Roman toga, and the thousands of glass tiles forming a contemporary mosaic. Residents and tourists can cross it along an interior street, following the line of the old Augustan fortifications. The museum is also a place for relaxation, with its 3,500-m2 archaeological and Mediterranean garden and a planted roof terrace offering an exceptional view over the city. The museum boasts a bookshop, café and a restaurant, opened by Michelin-starred chef Franck Putelat.
The permanent collection
Through its innovative museography, the museum collection demonstrates the process of “Romanisation” that occurred in the region. Four spaces, designed by Chief Heritage Curator Dominique Darde, form a chronological sequence for the circuit: the Gallic period at the dawn of Roman culture; the Roman period; the Medieval period; and the Roman legacy. The museum rooms have been set around the monumental reconstruction of the pediment of the Sanctuaire de la Fontaine, a spectacular relic positioned 15m above the ground, symbolising this ancient period in Nîmes.
Inaugural exhibition: “Gladiators: heroes of the Colosseum” June 2nd to September 24th
Numerous discoveries in Nîmes attest to the gladiator fights held in the Arenas, which had their own school. This spectacular exhibition, curated by Dr. Rosella Rea, curator of the Colosseum in Rome, presents pieces from a dozen Italian museums, including remains from Pompeii from the National Archaeological Museum in Naples. Based on meticulous scientific documentation, “Gladiators: heroes of the Colosseum” takes visitors on
a journey through time and up close to the complex daily lives of these emblematic figures. The exhibition features outstanding pieces in an interactive setting, with four sequences forming the circuit: the history of the fights, the daily lives of the gladiators, characteristics of the Colosseum and, finally, the spectacle in the arena.
Rodin and the art of ancient Greece The British Museum Until July 29th
Words: Lavinia Dickson-Robinson
Auguste Rodin (1840 – 1917) was one of the greatest and most innovative sculptors of the modern era. However, it is little known that Rodin took his inspiration, in large part, from the works of the fifth-century BC sculptor Pheidias, the artist who conceived the Parthenon sculptures.
This exhibition presents works by Rodin and explores how he admired the art of antiquity, particularly that of ancient Greece and how he regularly visited the British Museum to sketch and seek inspiration. Some of the sketches were done on headed notepaper from the Thackeray Hotel where Rodin stayed when he was in London, right opposite the British Museum.
For the very first time, visitors can appreciate Rodin’s extraordinary talent as a sculptor by showing his work alongside the very Parthenon sculptures that inspired him. Thanks to a collaboration with the Musée Rodin in Paris, over 80 works in marble, bronze and plaster, along with some of Rodin’s sketches are displayed in conversation with ancient Greek art. The show allows visitors 360-degree access to many of the works which
will be displayed at eye level as if they were in a sculptor’s workshop. The exhibition design takes inspiration from Rodin’s home and studio in Meudon outside Paris. This exhibition reveals that Rodin’s famous work The Kiss (1882) evokes two female goddesses, originally on the East Pediment of the Parthenon, one of which reclines luxuriously in the lap of her companion. The British Museum is borrowing an important version of The Kiss from the Musée Rodin. It is a plaster cast of the first marble example and it became the version which Rodin would display in exhibitions and from which others were copied. Both the Parthenon goddesses and Rodin’s marble Kiss are carved from a single block of stone with one figure melting into another.